CVP has taken an impressive deep dive into the newly announced RED V-Raptor [X] 8K VV camera. One of the tests that captured our eyes, is the comparison of DR between the…
One of the most intriguing features of the newly announced RED V-Raptor [X] is the Extended Highlights (beta), as a part of the Global Vision, a new suite of tools that utilize…
BREAKING: RED Digital Cinema has just announced its new flagship DSMC3 models, which are RED V-Raptor [X] and its XL version. Both are armed with a newly developed global shutter sensor, and…
There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…
Check out this (another) extreme cinematography project by director AJ Bleyer. Again, Bleyer was shooting inside an airplane, but this time he chose the RED Raptor and FUJINON Premista wide cine-zoom lens…
RED Digital Cinema has released the new firmware for its DSMC3 flagship, V-Raptor VV 8K camera. One of the major features is the Face Tracking Auto Focus (alpha form). That’s an indication…
RED Digital Cinema CEO, Jarred Land, has chimed in to Scott Balkum’s livestream talking about all things RED. Surprisingly (or not) he teased the next RED camera, which is the Komodo-X. At…
The guys at CVP have published a very straightforward yet educating video that shows the strengths of the newly announced RED RHINO S35 camera. This is the first time we can actually…
James Gunn’s Guardians of the Galaxy Vol. 3 returns. The film was shot on RED V-Raptor by the RED shooter, Henry Braham, BSC. IMAX categorized the film as “Filmed for IMAX” and…
Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the…