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Roger Deakins Talks About Lenses: Spherical Primes Preferred

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2021-08-06

Discuss

2 mins read

In this cool episode by StudioBinder, We’re getting exposed to Roger Deakins’s preferences regarding cinema lenses. To sum it up within a sentence: Primes preferred, clean look (no breathing, no vignetting, and…

Roger Deakins on the set of The Company Man. Picture: Claire Folger

Roger Deakins Knighted for his Cinematography Achievements

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Yossy Mendelovich

2020-12-31

News

1 min read

The acclaimed cinematographer, Roger Deakins, has been knighted for his cinematography achievements and contribution, in the Queen’s New Year Honors list as the British monarch celebrated the careers of behind the scenes…

Roger Deakins interviews Hoyte van Hoytema

Team Deakins Interviews Cinematographer Hoyte van Hoytema

by

Yossy Mendelovich

2020-09-13

Discuss

3 mins read

Here’s another fascinating filmmaking discussion by Team Deakins, this time with acclaimed cinematographer Hoyte van Hoytema, which is known as the cinematographic weapon of choice of Christopher Nolan. The conversation circulates around…

BTS of DP Roger Deakins, Charlie Rizek and the ARRI Trinity in 1917. Picture: Francois Duhamel. Universal Pictures

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

by

Yossy Mendelovich

2020-09-01

Educate

3 mins read

An educational gem was found. On this podcast, cinematographer Roger Deakins and his wife, James, discuss with Trinity operator Charlie Rizek about the camera movements behind 1917, and how the ARRI Trinity…

Roger Deakins Summarizes the Making of 1917

by

Yossy Mendelovich

2020-02-23

Educate

3 mins read

1917 which is the winner of Oscar 2020’s Best Cinematography, was shot by Roger Deakins on the ALEXA Mini LF with Signature Prime lenses. Let’s hear what Deakins has to say about…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

by

Yossy Mendelovich

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

Roger Deakins Talks About the new ALEXA Mini LF. Picture credit: ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

by

Yossy Mendelovich

2019-10-22

Discuss

3 mins read

Roger Deakins CBE, ASC, BSC, is the Director of Photography behind 1917, which is the first film that was shot on the ALEXA Mini LF with the Signature Primes. Read what Deakins…

An Orchestra of Cinema Cameras to Shoot an Orchestra Live Show

by

Yossy Mendelovich

2024-08-18

Educate

3 mins read

Trans Audio Video (TAV), an industry leader and one of the leading brands of cine-video-photo production products, and Sony Europe supported the creation of exclusive images during Vasco Rossi’s live concerts held…

Eliminating Lens Flares With the Help of Nanotexturing Technology

by

Yossy Mendelovich

2024-01-19

Footnote

3 mins read

We like lens flares (as opposed to Roger Deakins 🙂 However, flares can be a negative artifact/side effect on machine vision applications. A White paper titled “Eliminating Stray Light Image Artifacts via…

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

by

Yossy Mendelovich

2024-01-15

News

4 mins read

ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…

deakins

Roger Deakins Talks About Lenses: Spherical Primes Preferred

Roger Deakins Knighted for his Cinematography Achievements

Team Deakins Interviews Cinematographer Hoyte van Hoytema

Listen to Team Deakins Podcast About ARRI Trinity and the Camera Movements Behind “1917”

Roger Deakins Summarizes the Making of 1917

Roger Deakins Explains the Cinematography Challenges Behind 1917

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

An Orchestra of Cinema Cameras to Shoot an Orchestra Live Show

Eliminating Lens Flares With the Help of Nanotexturing Technology

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

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