You searched for deakins - Page 3 of 4

Top Cinematographers Demand More Rest on Film Sets

by

2021-08-26

News

2 mins read

A letter, written by 14 of the most acclaimed cinematographers, aimed at the Alliance of Motion Picture and Television Producers, demands to increase daily rest periods on movie sets. The letter titled…

One-Take Cinematography (Oner) Techniques

by

Yossy Mendelovich

2021-06-28

Educate

2 mins read

The execution of the “Oner” (one-take scene) seems intimidating at first, but it’s actually pretty simple, following straightforward guides and unwritten rules. Here are some of them. One-take scene One-take, which is…

One-Take 6 -Minutes Film Shot With the ARRI Mini LF and FUJINON Premista 19-45mm

by

Yossy Mendelovich

2021-06-17

Educate

2 mins read

Adrift is a 6-minutes one-take short film shot with the FUJINON Premista 19-45mm T2.9. The lens was paired with the ARRI ALEXA Mini LF, on a stabilized gimbal. The execution was pretty…

Oscars 2020 vs. Oscar 2021: What Has Changed?

by

Yossy Mendelovich

2021-06-03

Discuss

3 mins read

When comparing the data between Oscars 2020 to Oscars 2021, a lot of differences are revealed. The polarity is significant, from cameras (film, digital, and format), to the budget, crew, principal photography,…

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

by

Yossy Mendelovich

2021-03-26

News

5 mins read

ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…

The Artistic Fatigue of Large Format Cinematography

by

Yossy Mendelovich

2021-01-25

Discuss

3 mins read

Are we already developing some kind of large-format fatigue? It seems that those big sensors have conquered the cinematography world since many productions demand the “large-format look”. However, shooting large format holds…

Cinematographer Matthew Jensen ASC at the IMAX film camera, with Patty director and crew, during production on Warner Bros.’ Wonder Woman 1984. Photo by Clay Enos. Copyright © 2018 Warner Bros. Entertainment Inc.

The Wonder of Film Cameras in Wonder Woman 1984

by

Yossy Mendelovich

2021-01-17

Educate

5 mins read

In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…

Cyberpunk 2077 Fan Film: Phoenix Program - BTS. Picture: Vi-Dan Tran with the URSA Mini Pro G2 and DJI Ronin 2

Cyberpunk 2077 Fan Film: A Stunning Project Created on Blackmagic Ecosystem

by

Yossy Mendelovich

2020-06-09

Educate

11 mins read

The Cyberpunk 2077 Fan Film: Phoenix Program that was directed by Vi-Dan Tran, can be used as a solid case study of how Blackmagic’s ecosystem can be utilized perfectly as a whole.…

ARRI Releases Signature Prime SUP 2.1

by

Yossy Mendelovich

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

by

Yossy Mendelovich

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

deakins - Page 3

Top Cinematographers Demand More Rest on Film Sets

One-Take Cinematography (Oner) Techniques

One-Take 6 -Minutes Film Shot With the ARRI Mini LF and FUJINON Premista 19-45mm

Oscars 2020 vs. Oscar 2021: What Has Changed?

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

The Artistic Fatigue of Large Format Cinematography

The Wonder of Film Cameras in Wonder Woman 1984

Cyberpunk 2077 Fan Film: A Stunning Project Created on Blackmagic Ecosystem

ARRI Releases Signature Prime SUP 2.1

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!