So we saw Joker 2 (Joker: Folie à Deux), and it was outstanding. WE LOVED IT! The visuals are just stunning, and we praise Lawrence Sher for that. He chose just right…
Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…
The Blackmagic URSA Cine 12K can (and will) give a fight to top-notch cinema cameras like RED V-Raptor, Sony VENICE, and ARRI ALEXA. And it will win this fight for a fraction…
Adobe has announced on “A new era of video editing” referring to its new Firefly Video Model where ‘creators’ can ‘create’ videos from text. Like Sora but much more powerful, as it…
In between the lines, we can understand that Nikon eagerly wants to develop global shutter cameras. In the recent RED’s CEO statements, Keiji (the new CEO) praises the global shutter technology of…
BTS footage reveals the strange possibility that one of the main cameras behind the ultra-mega-budget project, F1, is the prosumer DJI Ronin 4D, or we should call it, DJI Ronin 4D IMAX.…
Here’s a video about Ben Affleck and cinematographer Sal Totino taking the Sony CineAlta BURANO for a test drive and talking about how it’s changing the way they tell stories. And it…
It’s a well-known fact that Nikon wants to conquer the cinema world and develop high-end cinema lenses. Nikon is known as a still-camera-manufacturer, however, a long time ago it developed cinema lenses…
Nikon USA YouTube has released a video titled “Why Film in N-RAW? Insights from Cinematographer Mitch Blummer on Shooting and Editing RAW Video”, demonstrating the advantages of the current Nikon’s raw (N-RAW).…
According to IMAX IR decks, almost every movie was shot (or is being shot) with IMAX film cameras. However, till 2026 there are no such movies (as we know). IMAX has started…