Discuss Archives - Page 13 of 54 - Y.M.Cinema Magazine

Why Did Sony Use the Same Sensor in the Alpha 1 II?

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2024-11-29

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2 mins read

Sony’s decision to reuse the 50.1MP sensor from the Alpha 1 in its successor, the Alpha 1 II, reflects a deliberate strategy. While at first glance it may seem uninspired, this approach…

Sony a1 II: A “Flagship” Without Direction for Videographers

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YMCinema

2024-11-26

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3 mins read

Sony’s newly announced Alpha 1 II arrives with an unmistakable air of stagnation for the filmmaking community. Touted as a groundbreaking flagship, the a1 II appears to be a mirror-polished rehash of…

Nikon’s Sensor Breakthrough: A Bold Move Toward Independence and Cinema

Nikon’s Sensor Breakthrough: A Move Toward Independence and Cinema

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YMCinema

2024-11-25

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3 mins read

Nikon’s recent sensor patent published a few days ago, US20240388815A1, represents an exciting shift for the company. Traditionally reliant on Sony-made sensors for its flagship cameras, such as the Z9 (source), Nikon…

Did Camera Manufacturers Forget the Definition of ‘Flagship’?

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YMCinema

2024-11-21

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4 mins read

The term flagship once conjured images of groundbreaking innovation, jaw-dropping performance, and a bold statement about the future of technology. For decades, the camera industry reserved this label for models that represented…

Sony a1 II: Yet Another Boring Flagship

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YMCinema

2024-11-19

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3 mins read

Today, Sony will announce the long-awaited successor to the Alpha 1: the Sony a1 II. And by “long-awaited,” we mean “mildly anticipated by a few enthusiasts hoping for something groundbreaking.” Spoiler alert:…

The Fujifilm GFX Eterna is an In-Housed GFX100 II

Is the Fujifilm GFX Eterna Just an In-Housed GFX100 II?

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YMCinema

2024-11-15

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3 mins read

The Fujifilm GFX Eterna arrives with much hype, billed as a bold medium-format cinema camera. But under the hood, it’s essentially a repackaged Fujifilm GFX100 II. According to a CineD interview with…

The Philosophy Behind Cinema Camera’s Sensor Sizes

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YMCinema

2024-11-11

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7 mins read

Cinema camera sensors are at the heart of filmmaking technology. The size of the sensor in a camera significantly impacts the visual aesthetic of a film, determining everything from the depth of…

Should Apple Buy Blackmagic?

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YMCinema

2024-11-10

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5 mins read

As the worlds of high-tech consumer electronics and professional filmmaking increasingly overlap, the idea of Apple acquiring Blackmagic Design is a fascinating proposition. Apple has made strides toward bringing professional-grade technology to…

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

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YMCinema

2024-11-04

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5 mins read

In the digital age, traditional film cameras still hold a unique place in the hearts of many cinematographers, directors, and filmmakers. Amid the rapid technological advances in digital cinematography, classic film cameras…

Sony Alpha 1 Mark II and What We Know So Far

Sony Alpha 1 Mark II: What We Know So Far

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YMCinema

2024-11-03

Discuss

4 mins read

Sony is gearing up for what could be one of its biggest launches in the mirrorless camera world with the rumored Sony Alpha 1 Mark II. Expectations are sky-high following the impact…

Discuss - Page 13

Why Did Sony Use the Same Sensor in the Alpha 1 II?

Sony a1 II: A “Flagship” Without Direction for Videographers

Nikon’s Sensor Breakthrough: A Move Toward Independence and Cinema

Did Camera Manufacturers Forget the Definition of ‘Flagship’?

Sony a1 II: Yet Another Boring Flagship

Is the Fujifilm GFX Eterna Just an In-Housed GFX100 II?

The Philosophy Behind Cinema Camera’s Sensor Sizes

Should Apple Buy Blackmagic?

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

Sony Alpha 1 Mark II: What We Know So Far

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