Sony is gearing up for what could be one of its biggest launches in the mirrorless camera world with the rumored Sony Alpha 1 Mark II. Expectations are sky-high following the impact…
It appears that Christopher Nolan and IMAX are about to raise the bar for cinematic innovation once again. In a recent interview, IMAX CEO Rich Gelfond revealed that Nolan will use a…
As Hollywood faces its greatest challenge to date—an audience drawn to streaming and empowered by ever-advancing technology—the cinematic landscape is undergoing a transformation unlike anything in its history. Artificial Intelligence (AI), democratized…
Netflix has established itself as a benchmark for original streaming content, and with that has come a specific set of requirements for the cameras used to capture its 4K Originals. The company…
This article tries to explain OUR opinion as to why Apple’s Vision Pro has failed to gain traction among professionals, particularly in the filmmaking and editing industries. While the Vision Pro boasts…
Let’s explore the potential for Apple to implement larger sensors in future iPhone models, a move that could significantly enhance the camera’s capabilities for professional content creators and filmmakers. While recent iPhone…
So we saw Joker 2 (Joker: Folie à Deux), and it was outstanding. WE LOVED IT! The visuals are just stunning, and we praise Lawrence Sher for that. He chose just right…
Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…
The Blackmagic URSA Cine 12K can (and will) give a fight to top-notch cinema cameras like RED V-Raptor, Sony VENICE, and ARRI ALEXA. And it will win this fight for a fraction…
Adobe has announced on “A new era of video editing” referring to its new Firefly Video Model where ‘creators’ can ‘create’ videos from text. Like Sora but much more powerful, as it…