The recent update to the RED Control app reveals RED’s plan to sharpen the AF capabilities of the DSMC3 cameras (Raptor and Komodo). Although this feature is only active in the app…
Tarantino hates shooting with digital cameras. He’s a true film enthusiast. He believes that film stock is the one and the only format that is deserved to be screened in a movie…
No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much…
Testers and reviewers of the newly announced Sony FX30 have discovered some very noticeable rolling shutter artifacts. Thus, this affordable Run N’ Gun Cinema Line camera, is not recommended to be used…
So, should you see the remastered Avatar (2009)? This is definitely a dilemma. We’ve seen it and loved it very much. However, Read our advice before spending on pricey 3D IMAX tickets.…
James Cameron breaks some rules. In the remastered theatrical version of the first Avatar, he applied 48 FPS (Frames Per Second) to some scenes. He has created inter-frames to smooth out some…
Cinema PTZ cameras armed with full-frame sensors sound like a legit idea that might be requested as well. However, when analyzing the options and possibilities regarding the utilization of cinema PTZ cameras,…
There’s a new trend in town. Camera manufacturers are sacrificing important capabilities for the sake of 8K. Is trading crucial factors like dynamic range and image quality for more pixels legit? Well,…
The Hasselblad X2D 100C Medium Format Mirrorless Camera has just been released, presenting some outstanding still features. However, there’s no option for capturing motion. The X2D 100C does not shoot video. Why…
Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…