The behind-the-scenes of ‘The Creator’ was released, clearly showing the Sony FX3 as the dominant (and only?) camera on set. As demonstrated in the BTS, the advantages of the FX3 were well…
Z CAM strikes again. The super affordable cinema camera was utilized (once again) in a mega-budget Hollywood movie, Meg 2: The Trench. Z CAM E2-F6 full-frame boxy camera was attached to an…
Sony has released the behind-the-scenes featurette of Gran Turismo, demonstrating the advantages of the VENICE 2 Rialto 2 extension units, which were located inside race cars’ cockpits. A very similar shooting method…
Sony has published the Cinema Line Chart. Excluding the VENICE, the chart demonstrates the main difference between Sony’s Cinema Line cameras, focusing on specifications. From FX30, to full-frame PTZ). Explore it below.…
The Flash was shot by Henry Braham, BSC on the RED Monstro and Ranger Monstro 8K VV. Braham, as usual, utilized one of the most intriguing stabilizers of the market. Here’s what…
In a very educating interview held by American Cinematographer, with ASC associate member and Panavision Senior Vice President of Optical Engineering and Lens Strategy Dan Sasaki, the lens behind Oppenheimer is revealed.…
Not every director has the privilege of shooting with IMAX film cameras. Furthermore, not every filmmaker/director/cinematographer dares to do unconventional shooting with these huge massive boxes. However, in Oppenheimer, DP Hoyte van…
It appears that Oppenheimer was shot on specially modified fast Panavision Sphero and System 65 lenses. Even more interestingly, a dedicated snorkel lens was made for the IMAX cameras, to capture extreme…
When shooting underwater, you need two solid skills — Diving and camera skills! First, you have to be a master in diving, knowing this discipline from the ground up. Second, you need…
The acclaimed director Christopher Nolan says that because of him, IMAX film cameras gained popularity and are being utilized in Hollywood motion picture films. That was said in an interview with IMAX…