Educate Archives - Page 15 of 56 - Y.M.Cinema Magazine

The Camera Behind “The Shining”: ARRIFLEX 35 BL and Steadicam Techniques

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2023-12-16

Educate

4 mins read

The ARRIFLEX 35 BL helped to revolutionize filmmaking. “The Shining” director and crazy genius, Stanley Kubrick, utilized this camera together with new Steadicam techniques, to bring this outdenting psychological horror to the…

The 25th Anniversary of Spielberg’s Saving Private Ryan: A Milestone in Filmmaking

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YMCinema

2023-12-05

Educate

4 mins read

This year is the 25th anniversary of one of Spielberg’s most acclaimed masterpieces, which is Saving Private Ryan. So many filmmaking and cinematography creative ideas and innovations were implemented by Spielberg and…

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

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YMCinema

2023-11-28

Educate

3 mins read

Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…

Meet the 1st Underwater Full Touchscreen Diving Housing for iPhone

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YMCinema

2023-11-26

Educate

2 mins read

A cool video by Ripple Training demonstrates how to shoot underwater using your iPhone, and still getting a fully functional touch interface. Meet the Divevolk housing – 1st underwater full touchscreen diving…

X-OCN: Sony Compressed RAW (VENICE & BURANO)

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YMCinema

2023-11-13

Educate

4 mins read

One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

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YMCinema

2023-11-11

Educate

2 mins read

It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…

Shooting a Micro-Budget Independent Production, but Getting an Awe-Inspiring Million Dollar Result

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YMCinema

2023-11-10

Educate

6 mins read

FULL CIRCLE is an inspiring true story of snowboarder Trevor Kennison and legendary skier Barry Corbet. Directed and filmed by Josh Berman, this outstanding project is a reference for micro-budget indie production,…

The Challenging Relationship Between Cameras and LED Walls: A White Paper

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YMCinema

2023-11-09

Educate

4 mins read

This white paper titled “Cameras and LED Walls — A Challenging Relationship,” which is presented by Klaus Weber, Director Camera Product Line Manager at Grass Valley, sheds light on the complicated and…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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YMCinema

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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YMCinema

2023-11-03

Educate

2 mins read

Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…

Educate - Page 15

The Camera Behind “The Shining”: ARRIFLEX 35 BL and Steadicam Techniques

The 25th Anniversary of Spielberg’s Saving Private Ryan: A Milestone in Filmmaking

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

Meet the 1st Underwater Full Touchscreen Diving Housing for iPhone

X-OCN: Sony Compressed RAW (VENICE & BURANO)

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

Shooting a Micro-Budget Independent Production, but Getting an Awe-Inspiring Million Dollar Result

The Challenging Relationship Between Cameras and LED Walls: A White Paper

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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