Educate Archives - Page 17 of 50 - Y.M.Cinema Magazine

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

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2022-09-29

Educate

2 mins read

Netflix has released the BTS of EXTRACTION 2. This time, Director Sam Hargrave has picked the ARRI ALEXA Mini LF for the intense action shots and intricate ‘oner’ executed in the film.…

Lighting a Desert: Magnificent BTS Footage of NOPE

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YMCinema

2022-09-26

Educate

1 min read

The lighting technician of NOPE, Leigh Mierke, has published a pretty rare BTS footage of the IMAX horror masterpiece directed by Jordan Peele. It appears that apart from the ‘Day-for-Night’ solution, the…

Making CBS’ Survivor 43 More Cinematic: Shot on Sony Z750

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YMCinema

2022-09-22

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3 mins read

There’re times when it makes no sense to use top-notch cinema cameras. For instance, shooting in an ultra harsh environment like CBS’ Survivor. However, you still want it to look cinematic. In…

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfights Sequences

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

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YMCinema

2022-09-15

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2 mins read

Again, a movie about naval fighter planes, and again, minimization of the green screen, and again, utilization of action cinema camera on shooting aerial fighting sequences. But on Devotion, the RED Komodo…

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

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YMCinema

2022-09-13

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7 mins read

Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…

Shooting Professionally With the Sony FX3

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YMCinema

2022-09-09

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4 mins read

The short film “Get Away” was shot entirely with the Sony FX3. The goal was to produce a film that looks like a high-budget project, but with an affordable camera. The FX3…

Disney Original Film ‘Rise’: Shot on URSA Mini Pro 12K

Disney Original Film ‘Rise’ was Shot on URSA Mini Pro 12K

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YMCinema

2022-09-05

Educate

3 mins read

Disney basketball film ‘Rise’ was shot by cinematographer Kabelo Thathe on the URSA Mini Pro 12K. The chosen codec was 8K in Blackmagic RAW. Watch the BTS footage and read why Thathe…

Flying With the ARRIFLEX 235

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YMCinema

2022-08-31

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2 mins read

Wires, cranes, and one flying ARRIFLEX 235 were very simple tools used to shoot fairly sophisticated sequences of flying actors. Here’re some more details on the awards-winning commercial —Burberry – Open Spaces.…

Top Gun: Maverick: The Avid Media Composer Timeline

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YMCinema

2022-08-31

Educate

2 mins read

Eddie Hamilton A.C.E who is the editor of Top Gun: Maverick, has shared the completed Avid Media Composer timeline, which can be downloaded as high-res images. Check out this amazing art form…

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

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YMCinema

2022-08-25

Educate

3 mins read

In continues to our previous article “Shooting Anamorphic on Vertical Sensor”, this time, cinematographer Michael Della Polla shares with us his ‘vertical anamorphic’ knowledge when shooting with the Z CAM S6 and…

Educate - Page 17

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

Lighting a Desert: Magnificent BTS Footage of NOPE

Making CBS’ Survivor 43 More Cinematic: Shot on Sony Z750

Devotion: RED Komodo Replaces the VENICE in the Aerial Dogfight Sequences

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

Shooting Professionally With the Sony FX3

Disney Original Film ‘Rise’ was Shot on URSA Mini Pro 12K

Flying With the ARRIFLEX 235

Top Gun: Maverick: The Avid Media Composer Timeline

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

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