Educate Archives - Page 17 of 47 - Y.M.Cinema Magazine

ARRI: “There Will Never be a Large Format Version of the ALEV 4”

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2022-06-07

Educate

2 mins read

The guys at CVP have just revealed a most intriguing fact regarding the ALEXA 35’s sensor. Based on their conversation with ARRI, it seems that the ALEV 4 was developed especially and…

ALEXA 35’s Fun Facts: From Sensor Party to Torture Tests

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Yossy Mendelovich

2022-06-01

Educate

2 mins read

Check out some fun facts about the ALEXA 35 released yesterday: The sensor party, new cooling concept, stray-light suppression, and torture tests. It appears that this beast went through a lot:-) Better…

Documentary Filmmaking With Canon Cinema EOS Cameras

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Yossy Mendelovich

2022-05-26

Educate

11 mins read

Veteran documentary filmmaker Neal Broffman shares with is his experience and knowledge when shooting the four-part series Wasteland (produced for CBS and available on Paramount+). This complex job was done with the…

REDCODE RAW- Evolution (DSMC2 to DSMC3) and Future.001

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

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Yossy Mendelovich

2022-05-23

Educate

6 mins read

RED has published a white paper focusing on its codec, which is the REDCODE RAW. Although this document is not new, it’s pretty updated and contains interesting insights regarding the evolution of…

Watch These Epic Rigged Handheld BMPCC 6K Cameras

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Yossy Mendelovich

2022-05-19

Educate

1 min read

Are you a BMPCC shooter? Then check out these cool setups of the BMPCC (Blackmagic Pocket Cinema Camera) 6K cameras. All credit goes to the users of the Blackmagic Pocket Cinema Camera…

Meet the ‘Cockpit Lens’ Behind Top Gun: Maverick

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Yossy Mendelovich

2022-05-16

Educate

2 mins read

In order to shoot inside the tight space of the F-18 in Top Gun: Maverick, the production chose the tiny but robust Voigtlander lenses. These all-metal lenses were well paired with Sony…

This is the Camera That Shot Avatar 2

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Yossy Mendelovich

2022-05-12

Educate

2 mins read

Avatar 2 was shot in unconventional cinematographic methodologies. The camera is the Sony VENICE rigged to a specially made 3D stereoscopic beam splitter system, utilizing the Rialto extension unit. The system is…

The Contemporary Lenses: Q&A by SIGMA

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Yossy Mendelovich

2022-05-04

Educate

4 mins read

SIGMA defines its Contemporary lenses as compact, high-quality, and affordable, to meet the needs of a wide audience of creators who simply want great images and product quality that doesn’t break the…

Vintage Emulation Lens: Meet The Canon V35

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Yossy Mendelovich

2022-05-02

Educate

3 mins read

The Canon V35 lenses are basically CN-E glass modified for the vintage aesthetic. This is not a Canon project, but an independent initiative to take the Canon CN-E glass and upgrade it…

The Ideal Formula of Indie Filmmaking: Good Script, Talented Folks, and Tons of Determination

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Yossy Mendelovich

2022-04-27

Educate

13 mins read

Birdies is a golf comedy that was shot on a micro-budget. Minimal cast, not-so-sexy equipment, almost zero resources, but with a ton of good vibes and determination. “If you have a good…

Educate - Page 17

ARRI: “There Will Never be a Large Format Version of the ALEV 4”

ALEXA 35’s Fun Facts: From Sensor Party to Torture Tests

Documentary Filmmaking With Canon Cinema EOS Cameras

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

Watch These Epic Rigged Handheld BMPCC 6K Cameras

Meet the ‘Cockpit Lens’ Behind Top Gun: Maverick

This is the Camera That Shot Avatar 2

The Contemporary Lenses: Q&A by SIGMA

Vintage Emulation Lens: Meet The Canon V35

The Ideal Formula of Indie Filmmaking: Good Script, Talented Folks, and Tons of Determination

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