Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…
ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…
Director of Photography Joseph Eriksson shot the short film “The Blank” on Fujifilm’s new flagship, the GFX100 II. This medium format small mirrorless was paired with the mighty Cooke Anamorphic FF+ SF…
Have you seen Boiling Point (2021)? The movie was shot in a 90-minutes continuous take (=real single shot) utilizing the Sony VENICE Rialto, by the young (23) cinematographer Matthew Lewis. Furthermore, this…
The Flash was shot by Henry Braham, BSC on the RED Monstro and Ranger Monstro 8K VV. Braham, as usual, utilized one of the most intriguing stabilizers of the market. Here’s what…
As the trailer for Extraction 2 has dropped, producers Russo Brothers confirmed that the forthcoming Netflix hit contains an ultra-complex 21-minute long-take (oner) composed/stitched from 30sec-1.5minute segments of accurate sequences. Hence, Extraction…
The acclaimed cinematographer, Steve Yedlin ASC, sat with Zeiss to discuss the cinematography behind the beautiful film Glass Onion: A Knives Out Mystery. Read below what Yedlin had to say about camera…
Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…
ARRI has published its latest and most comprehensive showreel. On this very thorough (over 12 minutes) reel, ARRI pays tribute to filmmakers who used its cameras, from Super 35 to full-frame and…
These are the lenses behind 29 films that are contending for the 94th Academy Awards (Oscars 2022), according to IndieWire’s cinematography survey. The major manufacturers are Panavision (as usual), ARRI (with their…