These are the lenses behind 29 films that are contending for the 94th Academy Awards (Oscars 2022), according to IndieWire’s cinematography survey. The major manufacturers are Panavision (as usual), ARRI (with their new Signature Primes), Cooke (S4/i), Leitz full-frame primes, and Angenieux zooms.
The lenses that shot the films contending for Oscars 2022
As our tradition requires, we’re discussing again the tools that were used to make the most acclaimed films of 2022. In this article, you will find the cameras and lenses that shot the main contenders for Oscars 2022 (94th Academy Awards) according to IndieWire’s survey. The list contains the major contenders (a total of 29 films). It’s important to note that the list is not divided for Best Cinematography or Best Picture as usual. However, it’s always intriguing to explore the tools utilized by top artists. This article focuses on glass. Make sure to read the previous article which deals with the cameras (Oscars 2022: The Cameras). Explore the slides below (movie poster+cameras+lenses):
Oscars 2022: Lenses Chart
Explore the simplified lenses chart based on the data above. Credit: Y.M.Cinema Magazine.
Discussion
It appears again and again that DPs prefer to work with Panavision glass. No matter what the camera is, when it’s paired with a Panavision lens, it seems like the winning combo. Panavision offers a super-wide mixture of classic lenses that were designed to capture a tremendous range of looks that moviegoers seek. As for ARRI, this chart demonstrates the rise of the Signature Primes. This new glass by ARRI was first used in 1917 by Roger Deakins. The clean image, flare-free, and softness are the main characteristics of the Signature Primes. The major cameras paired with the Signature are VENICE, Monstro, and ALEXA LF as this glass is made for large sensors. Next, the Cooke Look is located at a promising place, as usual. This time, cinematographers chose to shoot with the Cooke S4/i which is known as one of the best lenses for Super 35 mm. For instance, the Cooke S4/i was paired with the ARRICAM LT and mainly with the very popular ALEXA Mini (one of the dominant cameras in that list). For larger sensors, the Cooke S7s/i was picked. In fourth place, we have the Leitz glass with its full-frame primes. And of course, Angenieux grants filmmakers one of the best zoom options in the market.
What are your thoughts on the glass chosen to shoot these Oscars contenders? Is there a lens that you’re hoping to explore in that list?
Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.
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Where West Side Story? I can’t find it on website.
It’s not on that list. But you can find it on the IMAX’s list! : https://ymcinema.com/2022/01/06/imax-2021s-films-the-cameras-used-to-shoot-for-the-huge-canvas/
West Side Story???
It’s not on that list. But you can find it on the IMAX’s list! : https://ymcinema.com/2022/01/06/imax-2021s-films-the-cameras-used-to-shoot-for-the-huge-canvas/