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Sony Announces the Alpha 1: 50MP Full-Frame, 8K 30FPS and 15+ Stops of DR

by

2021-01-26

News

5 mins read

Sony announces its new mirrorless, the Alpha 1 (α1). The little beast can shoot 8K up to 30FPS and 4K 120FPS. The Alpha 1 is armed with a new 50.1-megapixel full-frame stacked…

The Artistic Fatigue of Large Format Cinematography

by

Yossy Mendelovich

2021-01-25

Discuss

3 mins read

Are we already developing some kind of large-format fatigue? It seems that those big sensors have conquered the cinematography world since many productions demand the “large-format look”. However, shooting large format holds…

Top Gun: Maverick Says NO to Streaming Services

by

Yossy Mendelovich

2021-01-22

News

2 mins read

Tom Cruise puts all his chips on movie theaters, or at least for now, as Paramount refuses to sell Top Gun: Maverick to any streaming services due to its box office potential.…

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

by

Yossy Mendelovich

2021-01-20

Discuss

3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

by

Yossy Mendelovich

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

AGITO, ARRI SRH-360 and the Phantom camera. Picture: ARRI

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

by

Yossy Mendelovich

2020-12-29

Educate

2 mins read

Due to COVID, the hot jargon (for now) is Remote Cinematography. That means, being able to shoot and broadcast remotely under social distancing restrictions. One of the popular high-end devices to allow…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

Yossy Mendelovich

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera

Full-Frame Cine Prime Lenses For The Masses: Meet the Meike 35mm T2.1

by

Yossy Mendelovich

2020-12-20

News

2 mins read

Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This lens joins its big sister, the Meike 50mm T2.1.…

Sony FX6 Gets Netflix Approval

by

Yossy Mendelovich

2020-12-17

News

1 min read

The newly announced Sony FX6 has just got the Netflix approval stamp. The FX6 is the 10th Sony camera approved by the streaming giant to shoot its Originals. Read below about the…

Fujinon Premista and ZEISS eXtended Data

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

by

Yossy Mendelovich

2020-12-11

News

2 mins read

FUJIFILM announced the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical…

VENICE - Page 24

Sony Announces the Alpha 1: 50MP Full-Frame, 8K 30FPS and 15+ Stops of DR

The Artistic Fatigue of Large Format Cinematography

Top Gun: Maverick Says NO to Streaming Services

The Cameras Behind Best Netflix Original Movies of 2020

2020: The Year of the Large Format Cinematography

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

Full-Frame Cine Prime Lenses For The Masses: Meet the Meike 35mm T2.1

Sony FX6 Gets Netflix Approval

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

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