The official teaser trailer of EXTRACTION 2 has been released. And it looks fantastic! The film was shot mainly on the ARRI Mini LF, with some scenes on the RED Komodo. However,…
Yesterday, Sony launched a new camera designed for vloggers — the ZV-E1. Besides the excellent tech stuff, the ZV-E1 is armed with a full-frame sensor, to make the vlog more cinematic. ‘Cinematic…
Panavision is trying a new super-fast (T1.4) large-format prime lens. This prototype has been tested on several productions. The new lens is named for the street Panavision Woodland Hills is on “Variel…
The ARRI Mini LF strikes again. In fact, the winners of the 2023 Golden Globe Awards were shot only on ARRI and Panavision cameras. The dominant camera is the ultra-popular Mini LF.…
RED has removed the DSMC2 brains from its online store on RED.com. That means these cameras can’t be purchased anymore on the RED Digital Cinema website. Meanwhile, DSMC2 users are asking for…
James Gunn’s Guardians of the Galaxy Vol. 3 returns. The film was shot on RED V-Raptor by the RED shooter, Henry Braham, BSC. IMAX categorized the film as “Filmed for IMAX” and…
A couple of weeks ago, ARRI Rental has introduced its new fleet of exclusive black-and-white cameras: ALEXA 65 Monochrome, XT Monochrome, and Mini LF Monochrome. The cameras offer enhanced sensitivity, resolution, and…
Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…
In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…