Apple has finally released the first version of its flagship codec ProRes RAW, to be supported on the Windows system. This beta version (1.0) enables playback of ProRes RAW and ProRes RAW…
Recently, Apple has published the Mac Pro’s White Paper, which includes some exciting technology facts plus recommendations regarding its new beast. Let’s take a closer look. Unleashing creativity: “Without constraint.” According to…
It finally happened. RED integration with Apple’s Metal framework for realtime R3D playback is done. We’ll be able to examine the results and benefits on the next FCPX update. DaVinci Resolve is…
The new Mac Pro, which is one of the most powerful post-production machines ever made, is available for preorders. The price of this Apple’s flagship is not for the faint of heart…
The United States Patent and Trademark Office (USPTO) came to the conclusion that RED’s REDCODE is eligible patent belonged to RED and denied Apple’s petition. What does it mean? Only good things!…
ADOBE MAX kicks off today with a full of creative solutions for professional content creators. NVIDIA RTX based technology allows new Auto-Reframe features on Premiere Pro, improved driver, and two new members…
The latest version of FCPX is aimed to be optimized with the upcoming all-new Mac Pro. After “preparing” Logic Pro-X for the Mac Pro, Apple updates its Final Cut Pro X with…
In this article, you will get rare behind the scene glimpse of a feature film DIT (Digital Imaging Technician) role. The technical processes and tools (on-set-tech) will be clarified and demonstrated by…
Finally, it is here: The new Mac Pro! Meet Apple’s answer to 8K RAW, NVIDIA implementation, and professionals’ criticism. The unique characteristics of this machine are aiming for industry editors and high-end…