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The PAVO anamorphic by DZOFilm. That’s the first anamorphic glass from the Chinese company. The whole set was presented at the DZOFilm booth. Credit: YMCinema

DZOFILM Pavo 2X Anamorphic Lenses for S35 Cameras

by

2023-09-17

News

3 mins read

DZOFILM has announced the Pavo 2x Anamorphic lenses for Super 35mm sensors. The Pavos have a blue and neutral coating, focal lengths of 28, 32, 40, 55, 75, and 100mm, interchangeable PL/EF…

FUJIFILM GFX100 II: The 2nd Largest Sensor Behind ALEXA 65

by

Yossy Mendelovich

2023-09-13

Discuss

5 mins read

FUJIFILM has introduced its new flagship, the GFX100 II. This camera is NOT defined as Mark II, but a completely new camera with a newly designed medium format and fast sensor that…

Canon New Super 35mm 8K Cinema Flex Zoom Lenses Announced

by

Yossy Mendelovich

2023-04-03

News

4 mins read

Super 35mm is back in the game, as more manufacturers develop cinema lenses that are compatible with that sensor size. Canon has just announced two new Super 35mm cinema lenses dedicated to…

Kinefinity Introduces Two New Cinema Cameras: MAVO 6K Mark 2 LF and S35

by

Yossy Mendelovich

2023-01-17

News

7 mins read

Kinefinity has just unveiled the new Super 35 and Large-format 6K cinema cameras titled MAVO Mark 2 S35 and MAVO Mark 2 LF. These cameras incorporate advanced technology and integration for high-end…

ALEXA Monochrome Cameras Announced: 65, XT, and Mini LF

by

Yossy Mendelovich

2022-11-11

News

2 mins read

ARRI Rental announces a new fleet of exclusive black-and-white cameras: The ALEXA 65 Monochrome for 65 mm capture, the ALEXA XT Monochrome for Super 35, and the ALEXA Mini LF Monochrome for…

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

by

Yossy Mendelovich

2022-11-10

Educate

2 mins read

Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

by

Yossy Mendelovich

2022-08-24

Discuss

3 mins read

During the RED Tech LIVE Q&A session, CEO Jarred Land shed some very interesting light on topics like AF (AutoFocus), an IR (InfraRed) version of the V-Raptor XL, and the sensor size…

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

by

Yossy Mendelovich

2022-08-24

News

3 mins read

A huge price drop on the ARRI ALEXA SXT was spotted by The NewsShooter. Instead of $74,500, this beast now costs $44,500, which means a discount of $30,000. Should/would you buy it?…

‘NOPE’ Was Shot on a Unique ‘Day-for-night’ Rig of ALEXA 65 Infrared and Panavision System 65

by

Yossy Mendelovich

2022-08-03

Educate

3 mins read

As complicated as this title sounds, it’s quite simple. The night scenes of NOPE were shot using a one-of-a-kind rig combined with ARRI ALEXA 65 Infrared and Panavision System 65mm film camera.…

ARRI ALEXA Made of Cardboard: Built by an 11-Year-Old Filmmaker

by

Yossy Mendelovich

2022-07-11

Footnote

1 min read

Here’s another fun item — A high-detailed ARRI ALEXA camera made of cardboard. The camera was built by an 11-year-old filmmaker. ARRI was pleased. Check it out. Cardboard ALEXA Some kids build…

alexa 35 - Page 4

DZOFILM Pavo 2X Anamorphic Lenses for S35 Cameras

FUJIFILM GFX100 II: The 2nd Largest Sensor Behind ALEXA 65

Canon New Super 35mm 8K Cinema Flex Zoom Lenses Announced

Kinefinity Introduces Two New Cinema Cameras: MAVO 6K Mark 2 LF and S35

ALEXA Monochrome Cameras Announced: 65, XT, and Mini LF

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

RED Tech Q&A: AutoFocus, V-Raptor XL IR, and S35

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

‘NOPE’ Was Shot on a Unique ‘Day-for-night’ Rig of ALEXA 65 Infrared and Panavision System 65

ARRI ALEXA Made of Cardboard: Built by an 11-Year-Old Filmmaker

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