You searched for alexa 35 - Page 3 of 30

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

by

2021-12-03

Educate

3 mins read

The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

by

Yossy Mendelovich

2021-03-26

News

5 mins read

ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…

ARRI Confirms the ALEXA Super 35 4K to be Launched in 2021

by

Yossy Mendelovich

2020-06-02

Educate

3 mins read

In honor of the 10th anniversary of ALEXA, ARRI reveals some interesting facts, including the next ALEXA model which is a Super 35 4K camera that will be launched in 2021. Read…

Transforming Your APS-C Super 35 to an ALEXA 65 Sized Sensor

by

Yossy Mendelovich

2018-12-11

Educate

1 min read

No, this is not a new RED’s sensor swap/ upgrade, but an exceptional brilliant experiment that anyone can do at home. The nerdy mind of Nikolas Moldenhauer has invented this. This video…

The Cameras of TIFF 2024: Super 35 Rules With the ARRI 35 & Mini

by

Yossy Mendelovich

2024-10-08

Discuss

7 mins read

Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…

URSA Cine 12K Might Become the Main Competitor for ARRI ALEXA and Sony VENICE

by

Yossy Mendelovich

2024-09-30

Discuss

2 mins read

The Blackmagic URSA Cine 12K can (and will) give a fight to top-notch cinema cameras like RED V-Raptor, Sony VENICE, and ARRI ALEXA. And it will win this fight for a fraction…

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

by

Yossy Mendelovich

2024-06-03

Educate

2 mins read

Furiosa A Mad Max Saga is a mega-budget project directed by George Miller (79) and shot for the IMAX by cinematographer Simon Duggan ASC, ACS on a combination of ARRI ALEXA 65,…

Cannes 2024 Proves that Super 35 is Back Into the Game

by

Yossy Mendelovich

2024-05-22

Discuss

2 mins read

The Cannes 2024 Camera Chart demonstrates a very intriguing fact. Most of the cameras used to shoot the films have Super 35 sensors. Hence, filmmakers chose Super 35 over the large format.…

Cannes 2024’s Cameras: ARRI ALEXA Mini is (Still) The King

by

Yossy Mendelovich

2024-05-21

Discuss

6 mins read

IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, ARRI ALEXA Mini, is the most popular camera among Cannes filmmakers.…

Atomos + ProRes RAW + Sony FX3 = ALEXA?

by

Yossy Mendelovich

2023-11-01

Discuss

2 mins read

Atomos has released an interview with ‘The Creator’’s DP, Oren Soffer, which demonstrates the necessity of the Atomos Ninja V recorder for getting imagery that holds the big screen, by outputting ProRes…

alexa 35 - Page 3

Dune Was Shot on ALEXA LF, Transferred to 35mm Film, Then Scanned Back to Digital

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

ARRI Confirms the ALEXA Super 35 4K to be Launched in 2021

Transforming Your APS-C Super 35 to an ALEXA 65 Sized Sensor

The Cameras of TIFF 2024: Super 35 Rules With the ARRI 35 & Mini

URSA Cine 12K Might Become the Main Competitor for ARRI ALEXA and Sony VENICE

Furiosa: Filmed for IMAX on ARRI ALEXA 65, RED V-Raptor, and Komodo

Cannes 2024 Proves that Super 35 is Back Into the Game

Cannes 2024’s Cameras: ARRI ALEXA Mini is (Still) The King

Atomos + ProRes RAW + Sony FX3 = ALEXA?

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!