Atomos + ProRes RAW + Sony FX3 = ALEXA?
Atomos + ProRes RAW + Sony FX3 = ALEXA?

Atomos + ProRes RAW + Sony FX3 = ALEXA?

2023-11-01
3 mins read

Atomos has released an interview with โ€˜The Creatorโ€™โ€™s DP, Oren Soffer, which demonstrates the necessity of the Atomos Ninja V ($589 on Amazon) recorder for getting imagery that holds the big screen, by outputting ProRes RAW from the Sony FX3 ($4,298 on Amazon) . โ€œOnce you tap into (ProRes) RAW and record onto the Ninja, it puts it onto the level where you realize you can intercut it with footage from an ALEXA and not notice the difference,โ€ Oren says. Watch the interview below.

Atomos and IMAX
Atomos and IMAX

Atomos + FX3 = ALEXA (?!)

Itโ€™s not a secret that ‘The Creator’ helped Atomos to recover from its delicate financial situation. Now itโ€™s clearly known that the Atomos Ninja V is the main technology tool that allowed to shoot โ€˜The Creatorโ€™, which is a big-budget Hollywood sci-fi film, on the Sony FX3. In an interview with DP Oren Soffer, it has been emphasized, that ProRes RAW is the format that unlocked the Sony FX3 for the production. The main reason for choosing Sony FX3 is physical freedom. However, without the ability to shoot ProRes RAW via Atomos recorder, the production wouldnโ€™t choose the FX3. Thatโ€™s for sure! โ€œThe recording into the Ninja V recorder, is what puts it up to the level that the footage could intercut or be completed interchange with ALEXA and nobody would really notice it,โ€ said Oren Soffer during the interview. Letโ€™s be reminded โ€” โ€˜The Creatorโ€™ was aimed to be screened on IMAX. Watch the short interview below:

Update on the Audit Process

As you may know, Atomos stock is suspended from trading (article here). Hence, the company needs every backwind it can get. โ€˜The Creatorโ€™ gave Atomos a solid marketing boost, demonstrating the necessity of one of its main products. Another good news is the update regarding the Audit Process. As tested by Atomos: โ€œFollowing the update provided to the market in the Announcement, the Board wishes to advise that it anticipates that the audit of the Companyโ€™s annual financial report will be finalized by early November. The Board further advises that the Company is pursuing a recapitalization plan, on which action is well progressed, and that it expects to be in a position to make a further announcement in this regard by mid-November 2023โ€.

'The Creator' BTS. Picture by Atomos
‘The Creator’ BTS. ProRes RAW via Atomos. Picture by Atomos
'The Creator' BTS. Picture by Atomos
‘The Creator’ BTS. ProRes RAW via Atomos. Picture by Atomos

The recording into the Ninja V recorder is what puts it up to the level that the footage could intercut or be completed interchange with ALEXA and nobody would really notice it.

‘The Creator’ DP – Oren Soffer
'The Creator' BTS. Picture by Atomos
‘The Creator’ BTS. ProRes RAW via Atomos. Picture by Atomos
'The Creator' BTS. Picture by Atomos
‘The Creator’ BTS. ProRes RAW via Atomos. Picture by Atomos

What happened with the Sapphire 8K global shutter sensor?

Unfortunately, thereโ€™s no info (yet) on the Sapphire 8K global shutter โ€˜World Classโ€™ sensor which was announced a year ago. Back then Atomos stated: โ€œ The Sapphire is a full-frame sensor that goes by the informal name โ€”โ€˜Sapphire 8Kโ€™. It offers DCI 8K (8192 x 4320), global shutter recording at up to 60fps. At 4K, the frame rate quadruples to 240fps, and at 1080 it delivers 360fps. The Sapphire F8 will have up to 15 stops of dynamic range with 12-bit capture across all capture modesโ€. Atomos added that it has been talking with camera companies in order to evaluate implementations. Thereโ€™s no added news in that regard.

Product List

Here are the products mentioned in the article, and the links to purchase them from authorized dealers.ย 

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Gear mentioned in this article

Available on Amazon

ProductNewRenewedUsed
Atomos Ninja V$589โ€”From $519
Sony FX3$4,298โ€”โ€”
DJI Ronin RS 2$547.98โ€”From $449
New
Renewed
Used
Atomos Ninja V
Sony FX3
โ€”
โ€”
DJI Ronin RS 2

Prices checked: Nov 9, 2026, 1:33 AM GMT+0000

As an Amazon Associate, Y.M.Cinema earns from qualifying purchases. If you buy through our links, we may earn a small commission at no extra cost to you.

YMCinema is a premier online publication dedicated to the intersection of cinema and cutting-edge technology. As a trusted voice in the industry, YMCinema delivers in-depth reporting, expert analysis, and breaking news on professional camera systems, post-production tools, filmmaking innovations, and the evolving landscape of visual storytelling. Recognized by industry professionals, filmmakers, and tech enthusiasts alike, YMCinema stands at the forefront of cinema-tech journalism.

2 Comments

  1. Only downside to ProRes Raw is the fact that it can not be used natively in DaVinci Resolve for grading. Once that issie is ‘resolved’ it would be a solid solution for low/mid budget projects.

    • BMD has had nearly 5 years to add ProRes RAW support to Resolve. I’d be surprised if it happened anytime soon. Maybe in v. 20 or 21 in 2027 (if it’s still relevant and hasn’t been eclipsed by another raw codec).

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