ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…
In continuation to our camera survey, here’re the lenses that used to shoot Oscar 2021 (93rd Academy Awards) Best Picture and Cinematography nominees. How is it compared to Oscar 2020? Find out…
Battle-tested RED DSMC2 brain with the Monstro 8K VV sensor is in stock for just $24,500, which is more than 50% discount (original price: $54,500), and a price reduction of $10,000 compared…
The nominations of the 93rd Academy Awards have been announced. Our cinematography survey focuses on the Best Picture and Cinematography categories. Here’re the cameras used to shoot them. Opinion: We’re disappointed not…
The American Society of Cinematographers (ASC) has announced its nominees for feature film, documentary, and television cinematography. Hence, we’ve created user-friendly slides that show the cameras and lenses been used to shoot…
This Toyota commercial was shot by cinematographer Brent Christy on the ARRI AMIRA and Xelmus Anamorphic Primes (Apollo series). The result is beautiful flaring and stunning imagery that presets the anamorphic cinematography…
What does it take to become a wildlife filmmaker? Well, a lot! In this interview, Kenya-based wildlife filmmaker and director, Fiona Tande, walks us through the challenges and the complexities of making…
Paramount officially confirmed that “A Quiet Place Part II” which was originally set to come out on March 20, 2020, and even had its premiere in New York City on March 8,…
As part of our series, Women’s Cinema, we interviewed 1st AC Rebecca Baliko. In this episode, Rebecca tells us what made her choosing filmmaking as a career (following her father’s footsteps), the…
Another modern adaptation of the classic rivalry was shot for the big screen. Directed by Tim Story and shot by Alan Stewart on the Sony VENICE Paired With Panavision Primo 70 and…