When we think about indie filmmaking, we imagine a shooter with a DSLR or mirrorless with a still lens on a gimbal, not because they are cheaper, but mainly because the operation…
Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…
Canon has published the white paper on the new EOS C70 cinema camera. The document was written by Larry Thorpe, Senior Fellow, Canon USA, and its purpose to “Make the case that…
FUJIFILM announced the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical…
Have you ever considered building your own cinema camera? Well, Canon is offering its main sensors to be utilized on other products by partners. This article contains a basic explanation about Canon’s…
As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…
Sony has announced the release of firmware 6.0. The update includes a lot of goodies like more HFR possibilities, extra shooting functions, and support. According to our surveys, Venice is a cinema…
Black & White is the new color. Many DPs are trying to implement the artistic and most challenging black and white imagery. In this article, the black and white low budget drama,…
Here is some big news regarding the streaming industry. HBO Max has just announced that the service will support 4K Ultra HD, HDR 10, Dolby Vision, and Dolby Atmos technologies in order…
For the sake of filmmakers’ knowledge, we’ve managed to build a chart that contains selected major full-frame cinema lens sets. From DZOFILM Vespid to Angenieux OPTIMO primes. Download it below. Large format…