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Shooting 8K RAW to the Cloud: The Future of Filmmaking?

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2022-12-13

News

3 mins read

Adobe has launched ‘Camera to Cloud’ (Beta) for RED V-Raptor cameras, which means you can shoot 8K RAW straight to the cloud with no additional hardware. The only limitation is that a…

IMAX is Developing Cloud Infrastructure for Post-Production

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Yossy Mendelovich

2022-11-08

News

1 min read

According to the requirement of the new job at IMAX, it seems that the company is strengthening and developing its cloud infrastructure, in order to implement pipelines and workflows for cloud-based image processing…

Apple Introduces DaVinci Resolve for iPad

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Yossy Mendelovich

2022-10-18

News

1 min read

What a wonderful surprise! Apple has just introduced the DaVinci Resolve for the iPad, as a part of the announcement of the M2 iPad Pro. The app will be ready later this…

Nvidia Announced GeForce RTX 40 Series: Boosting AI and Encoding Performances in DaVinci Resolve

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Yossy Mendelovich

2022-09-23

News

3 mins read

Nvidia has announced a new flagship series of its GeForce RTX GPU: 4080 and 4090. These GPUs incorporate a new architecture titled Ada Lovelace and contain dual, eighth-generation AV1 encoders to dramatically…

Documentary Filmmaking With Canon Cinema EOS Cameras

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Yossy Mendelovich

2022-05-26

Educate

11 mins read

Veteran documentary filmmaker Neal Broffman shares with is his experience and knowledge when shooting the four-part series Wasteland (produced for CBS and available on Paramount+). This complex job was done with the…

REDCODE RAW- Evolution (DSMC2 to DSMC3) and Future.001

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

by

Yossy Mendelovich

2022-05-23

Educate

6 mins read

RED has published a white paper focusing on its codec, which is the REDCODE RAW. Although this document is not new, it’s pretty updated and contains interesting insights regarding the evolution of…

Apple Disappoints With its ‘Plans’ to Final Cut Pro

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Yossy Mendelovich

2022-05-20

News

4 mins read

Apple has just responded to the “Final Cut Pro in TV and Film” open letter, that criticizes Apple’s NLE flagship (FCP) for not being a ‘professional’ enough to pro editors in the…

DaVinci Resolve 17.4.5: Improved Support for URSA 12K, and VENICE 8K

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Yossy Mendelovich

2022-03-07

News

1 min read

Blackmagic Design has just released the 17.4.5 version of DaVinci Resolve. Main features include improved deconstruction of nested timelines for audio tracks, 20% faster decoding of Blackmagic RAW 12K files on Apple…

Newest NVIDIA RTX Studio Laptops (3080) Defeat M1 Max MacBook Pro in High-FPS R3D Editing

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Yossy Mendelovich

2022-02-01

News

2 mins read

With the release of the newest (February) Studio Driver, NVIDIA publishes some benchmarks regarding the performances of GeForce 3080 laptops. According to NVIDIA, the RTX Studio machines armed with 3080 GPU, defeat…

Editing Sundance 2022’s Films: Meet Editor Lam T. Nguyen

by

Yossy Mendelovich

2022-01-31

Educate

6 mins read

What’s it like to edit a project that has been selected by Sundance? EMERGENCY is a film that is part of the 2022 Sundance Film Festival Satellite Screen program. Y.M.Cinema Magazine has…

Adobe - Page 6

Shooting 8K RAW to the Cloud: The Future of Filmmaking?

Apple Introduces DaVinci Resolve for iPad

Nvidia Announced GeForce RTX 40 Series: Boosting AI and Encoding Performances in DaVinci Resolve

Documentary Filmmaking With Canon Cinema EOS Cameras

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

Apple Disappoints With its ‘Plans’ to Final Cut Pro

DaVinci Resolve 17.4.5: Improved Support for URSA 12K, and VENICE 8K

Newest NVIDIA RTX Studio Laptops (3080) Defeat M1 Max MacBook Pro in High-FPS R3D Editing

Editing Sundance 2022’s Films: Meet Editor Lam T. Nguyen

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