A little company named JinniMag is causing RED to sweat. JinniMag uploaded a compelling video stripping down a $1,850 RED Mini-Mag showing that it’s just a consumer-based off the shelf SSD which…
The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…
CanonRumors has been told that the Canon EOS C500 might make a comeback with a whole new (and improved) version called Canon C500 Mark II. According to CanonRumors, the C500 Mark II…
Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…
The cinema cameras market is evolving rapidly. New cameras are springing up like mushrooms after rain. Every week there are feature update, firmware upgrade and new post technologies that allow more resolution…
Although it is not new, the free open source video editor is getting better and better every update. Thanks to its vast multi cooperative community, Kdenlive offers editors a lot of editing…
In this article, you will get rare behind the scene glimpse of a feature film DIT (Digital Imaging Technician) role. The technical processes and tools (on-set-tech) will be clarified and demonstrated by…
It’s surprisingly appeared, that one of the cameras that shot Marvel Studios’ “Captain Marvel”, was the Blackmagic Micro Cinema Camera. According to Blackmagic, the Micro Cinema Camera was used on filming specific…
Sony announces a significant firmware upgrade to its VENICE Full Frame cinema camera. The new version 5.0 firmware allows elevation of VENICE fps capabilities up to 90 FPS (Frame per Second) at…
Rhinestone Blue is the first film shot on the Fujinon Premista large format zoom lens. The camera used was the Sony VENICE. DP Tobias Schliessler, ASC, elaborates on his experience about using…