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‘G-SHOCK Lens’: Meet the Armored GDU RF

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2022-10-11

Discuss

2 mins read

No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much…

Sony Announces the FX30 4K S35 Cinema Camera

by

Yossy Mendelovich

2022-09-28

News

4 mins read

Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…

Why RED? Resolution, RAW, and Dynamic Range

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Yossy Mendelovich

2022-09-07

Discuss

2 mins read

Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

by

Yossy Mendelovich

2022-08-24

News

3 mins read

A huge price drop on the ARRI ALEXA SXT was spotted by The NewsShooter. Instead of $74,500, this beast now costs $44,500, which means a discount of $30,000. Should/would you buy it?…

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

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Yossy Mendelovich

2022-08-15

Discuss

3 mins read

IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…

NIKKEI: “The VENICE Makes Sony Stronger in the Movie Field”

by

Yossy Mendelovich

2022-08-11

News

2 mins read

NIKKEI Business Daily has published an article that praises Sony’s professional camera – The VENICE. According to NIKKEI, the VENICE was treated like an underdog, however, it has been highly accepted by…

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

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Yossy Mendelovich

2022-07-14

Discuss

5 mins read

With the end of the pandemic and movie theaters reopening, IMAX makes huge efforts to boost sales. And we as pure moviegoers, love it. Hence, IMAX attacks in several business and strategic…

ARRI ALEXA Made of Cardboard: Built by an 11-Year-Old Filmmaker

by

Yossy Mendelovich

2022-07-11

Footnote

1 min read

Here’s another fun item — A high-detailed ARRI ALEXA camera made of cardboard. The camera was built by an 11-year-old filmmaker. ARRI was pleased. Check it out. Cardboard ALEXA Some kids build…

The Cameras Behind Cannes 2022: ALEXA Mini (Still) Dominates

by

Yossy Mendelovich

2022-06-13

Discuss

4 mins read

IndieWire once again made the traditional camera survey regarding the Cannes Film Festival 2022. We’ve collected the data and built the charts. No surprises here. Again, the dominant camera is the ARRI…

Wide-Angle Anamorphic Comparison by Atlas

by

Yossy Mendelovich

2022-06-02

Compare

2 mins read

Wide anamorphic lenses are quite rare. Nevertheless, Atlas has published a beautiful comparison between its two most recent lenses: 25mm and 21mm. Check it out below. BTW, the 21mm is now available…

Raptor - Page 9

‘G-SHOCK Lens’: Meet the Armored GDU RF

Sony Announces the FX30 4K S35 Cinema Camera

Why RED? Resolution, RAW, and Dynamic Range

ALEXA SXT: $44,500 Instead of $74,500 (Price Drop of $30,000)

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

NIKKEI: “The VENICE Makes Sony Stronger in the Movie Field”

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

ARRI ALEXA Made of Cardboard: Built by an 11-Year-Old Filmmaker

The Cameras Behind Cannes 2022: ALEXA Mini (Still) Dominates

Wide-Angle Anamorphic Comparison by Atlas

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