Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…
What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…
ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…
After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…
Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…
ARRI announced that the entire range of its large format flagship lenses, the Signature Prime are now available and shipping. Ranging from 12mm to 280mm, the lens series features 16 focal lengths,…
Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…
ARRI’s camera simulators are one of the most efficient and comfortable ways to train your camera menu skills. It’s online, free, and educating. Recently ARRI has added a new simulator dedicated to…
As you already know, Netflix has updated its list of authorized cameras by including the Panasonic S1H. The S1H is the first Netflix approved mirrorless and the most affordable camera in the…
The ARRI Certified Online Training for Large Format Camera System is another course offered by ARRI on MZed educational platform. The course will grant you a practical in-depth knowledge regarding the ARRI…