ALEXA Mini LF Archives - Page 3 of 4

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

by

2021-03-26

News

5 mins read

ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…

Das Boot. The first TV series to be viewed on 8K

Sky Original “Das Boot” Will be the First 8K TV Series

by

YMCinema

2020-10-29

News

2 mins read

Sky One announced that its award-winning original “Das Boot” season 3, will be shot and delivered in 8K, with the Dolby Atmos soundscape. This unprecedented technological achievement is made possible with the…

Meet the “Panavision Millennium DXL2 IMAX” Camera

by

YMCinema

2020-09-30

News

1 min read

Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

YMCinema

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

ARRI Releases Signature Prime SUP 2.1

by

YMCinema

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

by

YMCinema

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

The cameras that used to shoot the Oscar 2020 nominees

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

by

YMCinema

2020-01-16

Educate

3 mins read

Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…

ARRI Signature Primes: The Full Range lenses is Shipping

by

YMCinema

2020-01-10

News

5 mins read

ARRI announced that the entire range of its large format flagship lenses, the Signature Prime are now available and shipping. Ranging from 12mm to 280mm, the lens series features 16 focal lengths,…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

by

YMCinema

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

ARRI ALEXA Mini LF Simulator: The Easiest Way to Explore The Camera

by

YMCinema

2019-11-15

Educate

2 mins read

ARRI’s camera simulators are one of the most efficient and comfortable ways to train your camera menu skills. It’s online, free, and educating. Recently ARRI has added a new simulator dedicated to…

ALEXA Mini LF - Page 3

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

Sky Original “Das Boot” Will be the First 8K TV Series

Meet the “Panavision Millennium DXL2 IMAX” Camera

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

ARRI Releases Signature Prime SUP 2.1

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

ARRI Signature Primes: The Full Range lenses is Shipping

Roger Deakins Explains the Cinematography Challenges Behind 1917

ARRI ALEXA Mini LF Simulator: The Easiest Way to Explore The Camera

Recent Posts

Categories

Get the best of filmmaking!