ALEXA Mini LF Archives - Page 3 of 4

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

ARRI Releases Signature Prime SUP 2.1

by

Yossy Mendelovich

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

by

Yossy Mendelovich

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

The cameras that used to shoot the Oscar 2020 nominees

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

by

Yossy Mendelovich

2020-01-16

Educate

3 mins read

Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…

ARRI Signature Primes: The Full Range lenses is Shipping

by

Yossy Mendelovich

2020-01-10

News

5 mins read

ARRI announced that the entire range of its large format flagship lenses, the Signature Prime are now available and shipping. Ranging from 12mm to 280mm, the lens series features 16 focal lengths,…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

by

Yossy Mendelovich

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

ARRI ALEXA Mini LF Simulator: The Easiest Way to Explore The Camera

by

Yossy Mendelovich

2019-11-15

Educate

2 mins read

ARRI’s camera simulators are one of the most efficient and comfortable ways to train your camera menu skills. It’s online, free, and educating. Recently ARRI has added a new simulator dedicated to…

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

by

Yossy Mendelovich

2019-10-31

Discuss

3 mins read

As you already know, Netflix has updated its list of authorized cameras by including the Panasonic S1H. The S1H is the first Netflix approved mirrorless and the most affordable camera in the…

ARRI and MZed: Certified Online Training for Large-Format Camera System

MZed Review: ARRI Certified Online Training for Large-Format Camera System

by

Yossy Mendelovich

2019-10-28

Educate

5 mins read

The ARRI Certified Online Training for Large Format Camera System is another course offered by ARRI on MZed educational platform. The course will grant you a practical in-depth knowledge regarding the ARRI…

Roger Deakins Talks About the new ALEXA Mini LF. Picture credit: ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

by

Yossy Mendelovich

2019-10-22

Discuss

3 mins read

Roger Deakins CBE, ASC, BSC, is the Director of Photography behind 1917, which is the first film that was shot on the ALEXA Mini LF with the Signature Primes. Read what Deakins…

ALEXA Mini LF - Page 3

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

ARRI Releases Signature Prime SUP 2.1

The Cameras Behind Oscar 2020: Film Made a Comeback and RED Enters the List

ARRI Signature Primes: The Full Range lenses is Shipping

Roger Deakins Explains the Cinematography Challenges Behind 1917

ARRI ALEXA Mini LF Simulator: The Easiest Way to Explore The Camera

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

MZed Review: ARRI Certified Online Training for Large-Format Camera System

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

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