ARRI Archives - Page 17 of 22 - Y.M.Cinema Magazine

Cinematographer Matthew Jensen ASC at the IMAX film camera, with Patty director and crew, during production on Warner Bros.’ Wonder Woman 1984. Photo by Clay Enos. Copyright © 2018 Warner Bros. Entertainment Inc.

The Wonder of Film Cameras in Wonder Woman 1984

by

2021-01-17

Educate

5 mins read

In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…

AGITO, ARRI SRH-360 and the Phantom camera. Picture: ARRI

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

by

YMCinema

2020-12-29

Educate

2 mins read

Due to COVID, the hot jargon (for now) is Remote Cinematography. That means, being able to shoot and broadcast remotely under social distancing restrictions. One of the popular high-end devices to allow…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

YMCinema

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

by

YMCinema

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

ARRI Updates its Configuration Overviews With the Signature Zoom Lenses

by

YMCinema

2020-11-22

Compare

1 min read

ARRI has published the updated version of its most comprehensive document, the Configuration Overviews, which now includes the newly announced Signature Zoom lenses. Take a look at this in-depth 83 pages guide…

ARRI Refurbishes its CPO (Certified Pre-Owned) Program: Adds Stabilizers, Lighting, and Accessories

by

YMCinema

2020-11-16

News

2 mins read

ARRI CPO (Certified Pre-Owned) has a new look. Furthermore, more stuff is being added, like accessories, lighting equipment, and stabilizers. Dreaming on your own ALEXA? This is your chance. Have a glimpse…

Mission: Impossible 7. BTS. Picture credit: AM1999/MEGA. Source: DailyMail.

Mission: Impossible 7 BTS Footage Leaked: Can You Guess The Cameras?

by

YMCinema

2020-10-07

Discuss

1 min read

Some Mission: Impossible 7 (and 8?) footage has been leaked to the web intentionally or not, showing some serious rigging of the cameras. It seems that this is the first film in…

CODEX High Density Encoding (HDE): Reduction of ARRIRAW offload up to 40% in ARRI Mini and AMIRA

ALEXA Mini and AMIRA are now HDE Technology Compatible: Reducing ARRIRAW File Size by 40%

by

YMCinema

2020-10-07

News

2 mins read

Good news for ARRI Mini and AMIRA shooters. Their cameras are now HDE compatible and can be licensed to enable the CODEX High-Density Encoding technology through Device Manager for their ARRIRAW workflows.…

Legacy of Lies: The ALEXA Mini and Cooke Anamorphic/i

ALEXA Mini and Cooke Anamorphic/i Combined to Enhance Action Shots in Legacy of Lies

by

YMCinema

2020-09-29

Educate

3 mins read

The ALEXA Mini paired with the mighty Cooke Anamorphic/i were the cinematic tools used to enhance the action shots in spy thriller Legacy of Lies, awarding it the blockbuster look (and feel).…

ARRI Announces the Signature Zooms: “The Largest Zoom Range in the Industry”

by

YMCinema

2020-09-23

News

3 mins read

ARRI has just announced the complementary zooms to its award-wining Signature Primes. Meet the new Signature Zoom family which is dedicated to Super 35 and full-frame imagery and defined by ARRI as…

ARRI - Page 17

The Wonder of Film Cameras in Wonder Woman 1984

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

ARRI Updates its Configuration Overviews With the Signature Zoom Lenses

ARRI Refurbishes its CPO (Certified Pre-Owned) Program: Adds Stabilizers, Lighting, and Accessories

Mission: Impossible 7 BTS Footage Leaked: Can You Guess The Cameras?

ALEXA Mini and AMIRA are now HDE Technology Compatible: Reducing ARRIRAW File Size by 40%

ALEXA Mini and Cooke Anamorphic/i Combined to Enhance Action Shots in Legacy of Lies

ARRI Announces the Signature Zooms: “The Largest Zoom Range in the Industry”

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