ARRI Archives - Page 17 of 20 - Y.M.Cinema Magazine

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

by

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

by

Yossy Mendelovich

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

by

Yossy Mendelovich

2020-01-20

Educate

1 min read

A rare Scarlet-W Monochrome was used together with the Signature Primes, to capture the white shark by Cancun based filmmaker Rodrigo Violante. Let’s explore this beauty. RED Scarlet-W 5K Monochrome The SCARLET-W…

Camera manufacturers behind 43 Best Netflix Original TV Shows of 2019

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

by

Yossy Mendelovich

2020-01-13

Discuss

3 mins read

Based on the Rotten Tomatoes’ critics ratings, we built a list of the 43 best Netflix original TV shows of 2019. Then we analyzed the cameras behind them to try to find…

ARRI Signature Primes: The Full Range lenses is Shipping

by

Yossy Mendelovich

2020-01-10

News

5 mins read

ARRI announced that the entire range of its large format flagship lenses, the Signature Prime are now available and shipping. Ranging from 12mm to 280mm, the lens series features 16 focal lengths,…

The Cameras and Lenses behind 34th ASC Awards

The Cameras and Lenses behind 34th ASC Feature Film Awards Nominees

by

Yossy Mendelovich

2020-01-06

News

2 mins read

Here are the cameras and lenses behind eight feature films nominated for the 34th ASC awards regarding the Theatrical and Spotlight categories. ASC Awards: A celebration for cinematographers The ASC Outstanding Achievement…

1917 set. Credit: François Duhamel/Universal Pictures and DreamWorks Pictures

Roger Deakins Explains the Cinematography Challenges Behind 1917

by

Yossy Mendelovich

2020-01-03

Educate

3 mins read

Roger Deakins talks about the cinematography challenges behind one of his most ambitious films, from a DP point of view. The tricks behind 1917 and the difficulties of shooting long takes. Read…

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

by

Yossy Mendelovich

2019-12-29

Educate

3 mins read

Building a scene is like conducting an orchestra. That’s the concept behind this inspiring masterclass by ARRI Academy on MZed educational platform. A professional crew led by cinematographer Julio Macat ASC will…

77th Golden Globe Awards: Motion Picture Nominees-Camera manufacturers chart

The Cameras Behind the 77th Golden Globe Awards

by

Yossy Mendelovich

2019-12-17

Discuss

3 mins read

We’ve created a camera chart based on the 29 Motion Picture nominees of the 77th Golden Globe Awards. Furthermore, we have built another chart analyzing the segmentation of film vs. digital, which…

Live-streaming with the Amira. picture credit: Christopher Rowe

ARRI Revolutionizes Live-Streaming: Real-Time LUTs Mixing to Elevate Cinematic Look

by

Yossy Mendelovich

2019-12-05

Educate

5 mins read

ARRI found a way to enhance the cinematic look of live streaming by utilizing its cameras capabilities of mixing LUTs during a real-time event. Read how this concept was implemented and premiered…

ARRI - Page 17

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

A Rare RED Scarlet-W Monochrome was Used to Film White Sharks

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

ARRI Signature Primes: The Full Range lenses is Shipping

The Cameras and Lenses behind 34th ASC Feature Film Awards Nominees

Roger Deakins Explains the Cinematography Challenges Behind 1917

MZed Review: ARRI Christmas Masterclass With Julio Macat ASC

The Cameras Behind the 77th Golden Globe Awards

ARRI Revolutionizes Live-Streaming: Real-Time LUTs Mixing to Elevate Cinematic Look

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