ARRI Archives - Page 18 of 24 - Y.M.Cinema Magazine

Avid and ON Semiconductor Take the Technology & Engineering Emmy

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2021-02-09

News

2 mins read

Two of the most intriguing winners of the 72nd Annual Technology & Engineering Emmy Awards (in our opinion) are Avid and ON Semiconductor. The awards are given for the achievements of developing…

The Cameras That Shot 78th Golden Globe Awards’ Nominees

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YMCinema

2021-02-07

Discuss

2 mins read

We’ve searched after the cameras that shot 78th Golden Globe Awards’ Nominees in six categories. According to the data, there’re two dominant models that can be defined as the weapon of choice…

The cameras behind Sundance Film Festival 2021

The Cameras Behind Sundance 2021: ALEXA Mini Rules, and the BMPCC Chimes-In

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YMCinema

2021-01-31

Discuss

2 mins read

Let’s explore the cameras behind Sundance Film Festival 2021 which is the largest and most important independent film festival in the world. Our conclusions: The ARRI ALEXA Mini maintains its domination across…

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

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YMCinema

2021-01-20

Discuss

3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Cinematographer Matthew Jensen ASC at the IMAX film camera, with Patty director and crew, during production on Warner Bros.’ Wonder Woman 1984. Photo by Clay Enos. Copyright © 2018 Warner Bros. Entertainment Inc.

The Wonder of Film Cameras in Wonder Woman 1984

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YMCinema

2021-01-17

Educate

5 mins read

In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…

AGITO, ARRI SRH-360 and the Phantom camera. Picture: ARRI

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

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YMCinema

2020-12-29

Educate

2 mins read

Due to COVID, the hot jargon (for now) is Remote Cinematography. That means, being able to shoot and broadcast remotely under social distancing restrictions. One of the popular high-end devices to allow…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

YMCinema

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

by

YMCinema

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

ARRI Updates its Configuration Overviews With the Signature Zoom Lenses

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YMCinema

2020-11-22

Compare

1 min read

ARRI has published the updated version of its most comprehensive document, the Configuration Overviews, which now includes the newly announced Signature Zoom lenses. Take a look at this in-depth 83 pages guide…

ARRI Refurbishes its CPO (Certified Pre-Owned) Program: Adds Stabilizers, Lighting, and Accessories

by

YMCinema

2020-11-16

News

2 mins read

ARRI CPO (Certified Pre-Owned) has a new look. Furthermore, more stuff is being added, like accessories, lighting equipment, and stabilizers. Dreaming on your own ALEXA? This is your chance. Have a glimpse…

ARRI - Page 18

Avid and ON Semiconductor Take the Technology & Engineering Emmy

The Cameras That Shot 78th Golden Globe Awards’ Nominees

The Cameras Behind Sundance 2021: ALEXA Mini Rules, and the BMPCC Chimes-In

The Cameras Behind Best Netflix Original Movies of 2020

The Wonder of Film Cameras in Wonder Woman 1984

Remote Cinematography and Broadcasting: AGITO, Shotover and ARRI SRH-360

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

ARRI Updates its Configuration Overviews With the Signature Zoom Lenses

ARRI Refurbishes its CPO (Certified Pre-Owned) Program: Adds Stabilizers, Lighting, and Accessories

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