Sony Venice Archives - Page 2 of 13

Civil War Cinematography: Ronin 4D 6K as the ‘Invisible’ Camera

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2024-04-25

Discuss

2 mins read

It’s interesting to reveal that many DPs lately prefer using simple and technically straightforward cinema cameras to shoot high-budget action feature films. For instance, in Civil War, the DJI Ronin 4D 6K…

Sony Publishes the VENICE 2 Training Crash Course

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Yossy Mendelovich

2024-03-04

Educate

2 mins read

Sony Cine has published a crash course that demonstrates the basic operation of the VENICE 2 CineAlta camera. This 14-minute video titled VENICE 2 101 shows you what you need to know…

The Sony VENICE and the Fujinon 25-1000mm PL box lens. Shooting the Super Bowl Halftime show. Picture: Sony Cine

12 Sony VENICE Cinema Cameras to Shoot Super Bowl Halftime Show

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Yossy Mendelovich

2024-02-16

Educate

3 mins read

Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super Bowl Halftime Show. Check out the BTS below. 12…

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

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Yossy Mendelovich

2024-01-29

Discuss

5 mins read

The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

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Yossy Mendelovich

2024-01-17

Discuss

5 mins read

Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…

Emmanuel Lubezki Tries the Sony BURANO

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Yossy Mendelovich

2024-01-13

Discuss

1 min read

The master of cinematography, Emmanuel Lubezki, has tried the Sony BURANO for a short documentary project. Lubezki paired the BURANO with the VENICE 2 and applied his ultra-wide-angle approach by using Sony…

Will Sony Ever Release a Medium-Format Cinema Camera?

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Yossy Mendelovich

2024-01-09

Discuss

2 mins read

Why hasn’t Sony released a high-end cinema camera armed with a medium format sensor? There’s no doubt that Sony can do that. This camera could be a game changer in cinematography and…

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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Yossy Mendelovich

2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

X-OCN: Sony Compressed RAW (VENICE & BURANO)

by

Yossy Mendelovich

2023-11-13

Educate

4 mins read

One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

by

Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

Sony Venice - Page 2

Civil War Cinematography: Ronin 4D 6K as the ‘Invisible’ Camera

Sony Publishes the VENICE 2 Training Crash Course

12 Sony VENICE Cinema Cameras to Shoot Super Bowl Halftime Show

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

Emmanuel Lubezki Tries the Sony BURANO

Will Sony Ever Release a Medium-Format Cinema Camera?

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

X-OCN: Sony Compressed RAW (VENICE & BURANO)

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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