Sony Venice Archives - Page 2 of 13

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

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2024-01-29

Discuss

5 mins read

The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

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Yossy Mendelovich

2024-01-17

Discuss

5 mins read

Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…

Emmanuel Lubezki Tries the Sony BURANO

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Yossy Mendelovich

2024-01-13

Discuss

1 min read

The master of cinematography, Emmanuel Lubezki, has tried the Sony BURANO for a short documentary project. Lubezki paired the BURANO with the VENICE 2 and applied his ultra-wide-angle approach by using Sony…

Will Sony Ever Release a Medium-Format Cinema Camera?

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Yossy Mendelovich

2024-01-09

Discuss

2 mins read

Why hasn’t Sony released a high-end cinema camera armed with a medium format sensor? There’s no doubt that Sony can do that. This camera could be a game changer in cinematography and…

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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Yossy Mendelovich

2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

X-OCN: Sony Compressed RAW (VENICE & BURANO)

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Yossy Mendelovich

2023-11-13

Educate

4 mins read

One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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Yossy Mendelovich

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

by

Yossy Mendelovich

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

by

Yossy Mendelovich

2023-10-04

Discuss

4 mins read

IndieWire reached out to the cinematography nominees for the 75th Emmy Awards (Emmys). Once again, we used the data to build a chart and find tendencies. It seems that Sony takes the…

Shot on BURANO: Watch These Videos Made on the New Sony CineAltaB Camera

by

Yossy Mendelovich

2023-09-14

Educate

2 mins read

We’ve gathered all videos/short films made using the recently announced Sony CineAlta BURANO. Watch those videos to get the most accurate impression regarding this new and fascinating piece of motion picture camera,…

Sony Venice - Page 2

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

Ferrari: Sony VENICE Rialto 2 Combined With RED Komodo Attached to Racing Cars

Emmanuel Lubezki Tries the Sony BURANO

Will Sony Ever Release a Medium-Format Cinema Camera?

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

X-OCN: Sony Compressed RAW (VENICE & BURANO)

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

Shot on BURANO: Watch These Videos Made on the New Sony CineAltaB Camera

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