Sony Cine has published a crash course that demonstrates the basic operation of the VENICE 2 CineAlta camera. This 14-minute video titled VENICE 2 101 shows you what you need to know…
Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super Bowl Halftime Show. Check out the BTS below. 12…
The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…
Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…
The master of cinematography, Emmanuel Lubezki, has tried the Sony BURANO for a short documentary project. Lubezki paired the BURANO with the VENICE 2 and applied his ultra-wide-angle approach by using Sony…
Why hasn’t Sony released a high-end cinema camera armed with a medium format sensor? There’s no doubt that Sony can do that. This camera could be a game changer in cinematography and…
How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…
One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…
Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…
Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…