Watch this cool demonstration by Sony Cine, to learn how to assemble (or disassemble) the VENICE Rialto unit, in order to shoot handheld with the Sony VENICE. This educational video shows the…
Sony has published an interview with the designer and the planner of VENICE 2. This conversation shed more light on the challenges involved in developing the brand new 8.6K sensor, and why,…
IMAX has published its Q3 2022 Financial Results, showing a significant increase in IMAX DNA titles, mainly in the blockbuster segment. The report shows a record of 12 IMAX DNA titles expected…
Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…
Sony introduces the FX30 which is its latest edition to the Cinema Line. However, this time the sensor is not full-frame, but Super 35. Hence, the definition of the Cinema Line has…
In a recent interview, James Cameron (once again) justifies the necessity of 3D cinematography and says it’s only the beginning of it. Camron expects this complex 3D methodology will be heavily implemented…
Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…
Sony has just introduced the VENICE Extension System 2, which increases flexibility with 8K data transmission and extends up to 12 meters away from the camera body. Furthermore, VENICE 2 Version 2.00…
IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…
NIKKEI Business Daily has published an article that praises Sony’s professional camera – The VENICE. According to NIKKEI, the VENICE was treated like an underdog, however, it has been highly accepted by…