Netflix has established itself as a benchmark for original streaming content, and with that has come a specific set of requirements for the cameras used to capture its 4K Originals. The company…
This article tries to explain OUR opinion as to why Apple’s Vision Pro has failed to gain traction among professionals, particularly in the filmmaking and editing industries. While the Vision Pro boasts…
Let’s explore the potential for Apple to implement larger sensors in future iPhone models, a move that could significantly enhance the camera’s capabilities for professional content creators and filmmakers. While recent iPhone…
So we saw Joker 2 (Joker: Folie à Deux), and it was outstanding. WE LOVED IT! The visuals are just stunning, and we praise Lawrence Sher for that. He chose just right…
Once again, IndieWire reached out to 90 (!) cinematographers with movies playing at TIFF (Toronto International Film Festival) to explore the cameras they used. As the tradition calls, we analyzed the data…
The Blackmagic URSA Cine 12K can (and will) give a fight to top-notch cinema cameras like RED V-Raptor, Sony VENICE, and ARRI ALEXA. And it will win this fight for a fraction…
Adobe has announced on “A new era of video editing” referring to its new Firefly Video Model where ‘creators’ can ‘create’ videos from text. Like Sora but much more powerful, as it…
In between the lines, we can understand that Nikon eagerly wants to develop global shutter cameras. In the recent RED’s CEO statements, Keiji (the new CEO) praises the global shutter technology of…
BTS footage reveals the strange possibility that one of the main cameras behind the ultra-mega-budget project, F1, is the prosumer DJI Ronin 4D, or we should call it, DJI Ronin 4D IMAX.…
Here’s a video about Ben Affleck and cinematographer Sal Totino taking the Sony CineAlta BURANO for a test drive and talking about how it’s changing the way they tell stories. And it…