Educate Archives - Page 19 of 47 - Y.M.Cinema Magazine

ARRI Showreel 2022: All Cameras, All Formats

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2022-04-06

Educate

2 mins read

ARRI has published its latest and most comprehensive showreel. On this very thorough (over 12 minutes) reel, ARRI pays tribute to filmmakers who used its cameras, from Super 35 to full-frame and…

“Large Format Look”: There’s No Such Thing!

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Yossy Mendelovich

2022-04-04

Educate

6 mins read

In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…

Shooting an indie commercial with the RED Komodo. Picture: CauseTraffic

Shooting an Indie Commercial on the RED Komodo

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Yossy Mendelovich

2022-03-31

Educate

1 min read

The commercial below can be used as a reference for those who consider shooting an indie-style project with minimal resources and still get solid results. This project was shot on the RED…

AMBULANCE FPV Drone Featurette With the Komodo Bayhem

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Yossy Mendelovich

2022-03-28

Educate

2 mins read

Universal Pictures has released a featurette showing how the FPV aerial shots were executed in Michael bay’s Ambulance. It’s like cinema FPV was born to satisfy Bay’s obsessiveness with ultra-fast camera kinetics.…

Behind the scenes of Winning Time: The Rise of the Lakers Dynasty. Picture: Panavision

There’s No Such Thing as Too Much Grain When Making a Film About the Lakers

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Yossy Mendelovich

2022-03-23

Educate

3 mins read

The story of the Los Angeles Lakers looks like a lot of fun in HBO’s Winning Time: The Rise of the Lakers Dynasty. This innovative vintage look was beautifully accomplished by tons…

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

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Yossy Mendelovich

2022-03-17

Educate

4 mins read

Here’s a reference for cinematic broadcasting with all its glory. The 2022 Super Bowl Halftime Show was shot with an array of 12 Sony VENICE 6K full-frame cameras that were paired with…

Watch: Stunning Modern Music-Video Shot on Aaton LTR and ARRIFLEX SR3

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Yossy Mendelovich

2022-03-15

Educate

2 mins read

Thanks to super talented filmmaker Alon Daniel, we’ve got here another proof that old cinema cameras are alive and kicking. Alon shot this awe-inspiring music video using forty-year-old cameras that run 16mm…

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

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Yossy Mendelovich

2022-03-14

Educate

2 mins read

Have you watched Netflix’s “Inventing Anna” yet? This well-crafted (from an imagery perspective) was shot on the Sony VENICE by four cinematographers. That (essential) filming strategy, has contributed to the flexibility of…

Shooting Underwater With the ARRI ALEXA 65

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Yossy Mendelovich

2022-03-02

Educate

1 min read

ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded…

Proper Lighting and Good Colorist to Supercharge Your Film

Proper Lighting and Good Colorist to Supercharge Your RED Komodo Footage

by

Yossy Mendelovich

2022-02-28

Educate

2 mins read

The short film presented here was shot on the RED Komodo by cinematographer Stefano Gabriele. In my opinion, this is the most beautiful imagery I saw out of the Komodo. Stefano has…

Educate - Page 19

ARRI Showreel 2022: All Cameras, All Formats

“Large Format Look”: There’s No Such Thing!

Shooting an Indie Commercial on the RED Komodo

AMBULANCE FPV Drone Featurette With the Komodo Bayhem

There’s No Such Thing as Too Much Grain When Making a Film About the Lakers

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

Watch: Stunning Modern Music-Video Shot on Aaton LTR and ARRIFLEX SR3

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

Shooting Underwater With the ARRI ALEXA 65

Proper Lighting and Good Colorist to Supercharge Your RED Komodo Footage

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