ARRI has published a tutorial that demonstrates how to assemble the Lightweight Set for the ALEXA 35. It’s highly recommended to watch this even if you don’t intend to shoot with the…
As complicated as this title sounds, it’s quite simple. The night scenes of NOPE were shot using a one-of-a-kind rig combined with ARRI ALEXA 65 Infrared and Panavision System 65mm film camera.…
Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…
On a new fascinating podcast by “Colorist Meetup”, some of the developing processes of ARRI’s color science are revealed. In the podcast, ARRI Chief Color Scientist, Harald Brendel, clearly states that the…
Here’s another fun item — A high-detailed ARRI ALEXA camera made of cardboard. The camera was built by an 11-year-old filmmaker. ARRI was pleased. Check it out. Cardboard ALEXA Some kids build…
So you have thought that when the ARRI ALEXA 35 will be launched then the price of its predecessor (ARRI Mini) goes down? Then you were wrong. It appears that this winning…
Panavision has a new website. And it’s about time. This new website has a lot of useful educational content about Panavision’s cameras, lenses, and services. It’s a truly filmmakers’ educational gem. Check…
Cinematographer Brook Willard (SEAL TEAM) has tested the ARRI ALEXA 35 in various shooting environments while pairing it with the great Xelmus Apollo anamorphic lenses. The results demonstrate an ideal match between…
IndieWire once again made the traditional camera survey regarding the Cannes Film Festival 2022. We’ve collected the data and built the charts. No surprises here. Again, the dominant camera is the ARRI…
The guys at CVP have just revealed a most intriguing fact regarding the ALEXA 35’s sensor. Based on their conversation with ARRI, it seems that the ALEV 4 was developed especially and…