Sony has just announced three new lenses in the FE full-frame lens mount: The FE 24mm F2.8 G, FE 40mm F2.5 G, and the FE 50mm F2.5 G—a trio of lenses that…
This Toyota commercial was shot by cinematographer Brent Christy on the ARRI AMIRA and Xelmus Anamorphic Primes (Apollo series). The result is beautiful flaring and stunning imagery that presets the anamorphic cinematography…
Nikon has just announced the development of a new flagship, the Nikon Z 9, which defined as “The best still and video performance in Nikon’s history”. The Nikon Z 9 will be…
Sigma has published a status update regarding the development of one of its most complex and challengeable projects, which is a full-frame camera that is based on the Foveon X3 sensor. Read…
Sony announces its new mirrorless, the Alpha 1 (α1). The little beast can shoot 8K up to 30FPS and 4K 120FPS. The Alpha 1 is armed with a new 50.1-megapixel full-frame stacked…
Z CAM E2 announced the release of firmware 0.98.0. Now all resolution and frame rate combinations support ProRes 422 HQ recording (except C8K 2.4:1). Read the release notes of the action camera…
Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This lens joins its big sister, the Meike 50mm T2.1.…
For the sake of filmmakers’ knowledge, we’ve managed to build a chart that contains selected major full-frame cinema lens sets. From DZOFILM Vespid to Angenieux OPTIMO primes. Download it below. Large format…
Yesterday, Canon has introduced its next generation of multi-purpose cameras, the ML series which includes the ML-100, and the ML-105. The ML cameras are armed with a 35mm full-frame CMOS, which delivers…
Today, Tokina has introduced the newest member of its Cinema Vista Prime family, the 40mm T1.5. This popular focal length is being requested for a while by filmmakers. As expected from a…