Zenit Introduced 4 Full-Frame Affordable Primes
Zenit Introduced 4 Full-Frame Affordable Primes

Zenit Introduced 4 Full-Frame Affordable Primes

2021-05-24
2 mins read

Zenit, the Russian camera brand, unveiled four full-frame and affordable primes for multiple mounts (Sony E, Canon EF, and Nikon F): The Zenitar 50mm f/1.5, 35mm f/2, 58mm f/1.9, and 60mm f/2.8 Macro lenses. Price range: $490- $760. Check them out.

Zenitar 60mm f/2.8 Macro lens
Zenitar 60mm f/2.8 Macro lens

Zenit

Zenit is an iconic Russian (formerly Soviet) lens manufacturer and camera brand, manufactured by KMZ in the town of Krasnogorsk near Moscow since 1952 and by BelOMO in Belarus since the 1970s. The Zenit trademark is associated with 35 mm SLR cameras. This Russian glass is associated with a robust metal structure, very simple yet tough. Now, the company proudly presents four new full-frame manual prime lenses, two for Sony E-mount mirrorless cameras and two for Canon EF- and Nikon F-mount. Focal length: 35mm-60mm. The prices are extremely affordable. Export them below, as described by Zenit.

Zenitar 50mm f/1.5 lens

“Classically designed lens with high aperture and normal focal length for mirrorless digital cameras. The lens has a high aperture of f/1.5 which allows shooting in low lighting conditions and provides a softly blurred background effect. Excellent for everyday photography and portrait shooting”.

  • Dimensions: 61.5×47.6
  • Weight, grams: 287
  • Mount: Sony E
  • Focal length, mm: 50
  • Aperture ratio (max.): 1.5
  • Aperture ratio (min.): 22
  • Aperture blades: 13
  • Field angle, °: 43
  • Focusing: Manual
  • Lens design: 3 groups / 7 elements
  • Minimum focusing distance: 0.7m
  • Lens filter diameter: 40.5
  • Price: $761
The Zenitar 50mm f/1.5 lens
The Zenitar 50mm f/1.5 lens

Zenitar 35mm f/2 lens

“Designed in classical style high aperture wide-angle lens for mirrorless digital cameras. The lens has f/2 aperture which allows taking pictures in low lighting conditions and provides a softly blurred background effect”.

  • Dimensions: 61.5×47.2
  • Weight, grams: 300
  • Mount: Sony E
  • Focal length: 35
  • Aperture ratio (max.): 2.0
  • Aperture ratio (min.): 22
  • Aperture blades: 9
  • Field angle, °: 62.5
  • Camera lens type: Wide-angle lens
  • Focusing: Manual
  • Lens design: 5 groups / 7 elements
  • Minimum focusing distance: 0.5m
  • Lens filter diameter: 46
  • Price: $734
The Zenitar 35mm f/2 lens
The Zenitar 35mm f/2 lens

Selena 58mm f/1.9 lens

“High aperture lens with the normal focal length for digital and film SLR cameras (24×36 mm frame size). It has manual focus and aperture setting modes. It also has the unique feature of controllable bokeh and is perfect for portrait, landscape and street scenes shooting”.

  • Dimensions: 73х76.2
  • Weight, grams: 400
  • Mount: Canon EF, Nikon F
  • Focal length: 58
  • Aperture ratio (max.): 1.9
  • Aperture ratio (min.): 16
  • Aperture blades: 8 (Nikon), 12 (Canon)
  • Frame size: 36х24
  • Field angle, °:28.2- 27
  • Focusing: Manual
  • Lens design: 3 groups / 4 elements
  • Minimum focusing distance: 0.8m
  • Lens filter diameter, mm: 62
  • Price: $713
The Selena 58mm f/1.9 lens
The Selena 58mm f/1.9 lens

Zenitar 60mm f/2.8 Macro lens

“Designed for digital and film SLR cameras. The macro lens has an electronically controlled aperture and allows shooting small objects at a scale of up to 1:1”.

  • Dimensions: 76х81.4
  • Weight, grams: 590
  • Mount: Canon EF, Nikon F
  • Focal length: 60
  • Aperture ratio (max.): 2.8
  • Aperture ratio (min.): 22
  • Aperture blades: 6
  • Field angle, °: 31
  • Camera lens type: Macro-camera lens
  • Focusing: Manual
  • Lens design: 7 groups / 8 elements
  • Minimum focusing distance: 0.23m
  • Lens filter diameter: 67
  • Price: $490
The Zenitar 60mm f/2.8 Macro lens
The Zenitar 60mm f/2.8 Macro lens

Final thoughts

The lenses look really cool, compact and robust, and very affordable. Unfortunately, we couldn’t find any test shots nor sample footage, so we can’t confirm the look and feel of the Zenitars. It’s a matter of personal taste though. If you own some Russian lenses then you’ll know what to expect. What’re your thoughts about those Zenitars? Would you buy them for your video work?

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

1st AC Amanda Wojtaszek with the Panavision DXL2: Anne With An E S3 -2019 Photo by Mark Ekin
Previous Story

1st AC: The Leader of the Camera Department

Panavision Unveils Crazy 9 DXL2 Array on “The Little Things” Set. Picture: Panavision
Next Story

Panavision Unveils Crazy 9 DXL2 Array on “The Little Things” Set

Latest from News

The Price That Nikon Paid for RED: $85 Million

The Price That Nikon Paid for RED: $85 Million

$85 Million. That was the price Nikon paid for RED Digital Cinema, according to the Consolidated Financial and Business Data for the Year ended March 31, 2024 (IFRS) document released by Nikon.…
IMAX New 65mm Film Cameras: All Details

IMAX Next-Gen 65mm Film Cameras: All Details

This was one of the most fascinating sessions during NAB 2024. The lecture titled “The Art and Science of IMAX” sheds light on IMAX filmmaking and the upcoming next-generation of IMAX 65mm film…
Go toTop

Don't Miss

Canon Announces 27x Portable Broadcast Zoom Lens

Canon Announces 27x Portable Broadcast Zoom Lens

Canon has announced a new 27x portable broadcast zoom lens and next-generation digital drive unit. The lens titled CJ27ex7.3B, is Canon’s first 2/3”
DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm,and180mm Lenses

DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm, and 180mm Lenses

DZOFILM introduces three new focal lengths to its PAVO Anamorphic series. Joining the lineup are the Macro 65mm T2.8, 135mm T2.5, and 180mm