The commercial below can be used as a reference for those who consider shooting an indie-style project with minimal resources and still get solid results. This project was shot on the RED…
Universal Pictures has released a featurette showing how the FPV aerial shots were executed in Michael bay’s Ambulance. It’s like cinema FPV was born to satisfy Bay’s obsessiveness with ultra-fast camera kinetics.…
The story of the Los Angeles Lakers looks like a lot of fun in HBO’s Winning Time: The Rise of the Lakers Dynasty. This innovative vintage look was beautifully accomplished by tons…
Here’s a reference for cinematic broadcasting with all its glory. The 2022 Super Bowl Halftime Show was shot with an array of 12 Sony VENICE 6K full-frame cameras that were paired with…
Thanks to super talented filmmaker Alon Daniel, we’ve got here another proof that old cinema cameras are alive and kicking. Alon shot this awe-inspiring music video using forty-year-old cameras that run 16mm…
Have you watched Netflix’s “Inventing Anna” yet? This well-crafted (from an imagery perspective) was shot on the Sony VENICE by four cinematographers. That (essential) filming strategy, has contributed to the flexibility of…
ARRI Rental has shared some epicness by showing off their ALEXA 65 in an underwater shoot using the HydroFlex dedicated housing. Although this ability is not new, it’s nice to be reminded…
The short film presented here was shot on the RED Komodo by cinematographer Stefano Gabriele. In my opinion, this is the most beautiful imagery I saw out of the Komodo. Stefano has…
Yet another fascinating episode presented by The Slow Mo Guys. This time, they used the Phantom Flex4K shooting 1000fps into the guts of a Super 16mm film camera. Why? Because this is…
The video in the article demonstrates a brave execution of FPV aerial cinematography in order to capture Moto2 race riders. The tools used for the job were the RED Komodo and Freefly…