ARRI ALEXA Archives - Page 4 of 7

Looking Back: The ARRI ALEXA M

by

2022-04-26

Educate

3 mins read

In this article we allow ourselves to look back at a very special camera announced more than a decade ago – The ARRI ALEXA M. With all the new cameras introduced lately…

ARRI Showreel 2022: All Cameras, All Formats

by

YMCinema

2022-04-06

Educate

2 mins read

ARRI has published its latest and most comprehensive showreel. On this very thorough (over 12 minutes) reel, ARRI pays tribute to filmmakers who used its cameras, from Super 35 to full-frame and…

“Large Format Look”: There’s No Such Thing!

by

YMCinema

2022-04-04

Educate

6 mins read

In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

by

YMCinema

2022-03-11

News

2 mins read

The next ARRI Super 35 4K camera will have “Existing image quality improvements” (more bit-depth, higher FPS, and resolution) says ARRI in a new Tech Talk video explaining its B-Mount 24V battery…

Editing Sundance 2022’s Films: Meet Editor Lam T. Nguyen

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YMCinema

2022-01-31

Educate

6 mins read

What’s it like to edit a project that has been selected by Sundance? EMERGENCY is a film that is part of the 2022 Sundance Film Festival Satellite Screen program. Y.M.Cinema Magazine has…

The Cameras Behind Sundance Film Festival 2022

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YMCinema

2022-01-27

Discuss

4 mins read

We wish this chart was more interesting to explore. Unfortunately, it’s pretty boring. Nevertheless, here is it. IndieWire continues with its fascinating tradition to reveal the cameras and lenses that shot Sundance…

Oscars 2022: The Cameras

by

YMCinema

2022-01-13

Discuss

6 mins read

These are the cameras (and lenses) that were used to shoot 29 films that are contending of the 94th Academy Awards (Oscars 2022). The charts, schemes, and pictures were crafted by Y.M.Cinema…

Skyfall is the First 007 Movie Shot Digitally (on the ALEXA Cameras)

by

YMCinema

2021-10-08

Educate

3 mins read

While everyone is talking (including us) about the new James Bond that was shot entirely on film cameras, this is an excuse to write about Skyfall, which is the first 007 movie…

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

by

YMCinema

2021-09-02

Discuss

4 mins read

Yesterday was an exciting day for R3D lovers. A completely new high-end (‘flagship’) RED camera was introduced, the V-Raptor, which is RED’s first DSMC3. The Raptor can be defined as hybridization between…

Emmy 2021’s Cameras: Large Format Rules

by

YMCinema

2021-08-30

Discuss

2 mins read

Thanks to IndieWire, its fascinating survey clearly shows us the domination of the large sensors, over the well-respected and traditional Super 35mm format. We analyzed the data and make a chart that…

ARRI ALEXA - Page 4

Looking Back: The ARRI ALEXA M

ARRI Showreel 2022: All Cameras, All Formats

“Large Format Look”: There’s No Such Thing!

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

Editing Sundance 2022’s Films: Meet Editor Lam T. Nguyen

The Cameras Behind Sundance Film Festival 2022

Oscars 2022: The Cameras

Skyfall is the First 007 Movie Shot Digitally (on the ALEXA Cameras)

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

Emmy 2021’s Cameras: Large Format Rules

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