ARRI Archives - Page 5 of 20 - Y.M.Cinema Magazine

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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YMCinema

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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YMCinema

2023-11-03

Educate

2 mins read

Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

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YMCinema

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

Joker: Folie à Deux Will Be Another ARRI 65 Masterpiece

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YMCinema

2023-10-18

Educate

2 mins read

Although there’s no trailer for the sequel of the 2019 film ‘Joker’, titled Joker: Folie à Deux, we are pretty sure it will be an absolute masterpiece, not less than the first…

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

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YMCinema

2023-10-04

Discuss

4 mins read

IndieWire reached out to the cinematography nominees for the 75th Emmy Awards (Emmys). Once again, we used the data to build a chart and find tendencies. It seems that Sony takes the…

ARRI Announces SUP 2.0 for cforce: Making the Lens Motors Twice as Responsive

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YMCinema

2023-08-03

News

2 mins read

ARRI has announced Software Update Package 2.0 (SUP 2.0) for cforce mini and cforce plus lens motors, which makes all cforce mini and cforce plus lens motors twice as responsive. Plus, the…

The Battle for the Credit: ARRI ALEXA 65 vs. Sony FX3

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YMCinema

2023-08-02

Discuss

4 mins read

There’s a battle going on. And it’s a battle for credit between totally different cameras: The mighty high-end cinema camera ARRI ALEXA 65 versus the innovative prosumer Cinema LineSony FX3. What’s the…

Shooting Underwater With the ARRi ALEXA 35

Shooting Underwater With the ALEXA 35

by

YMCinema

2023-07-21

Educate

3 mins read

When shooting underwater, you need two solid skills — Diving and camera skills! First, you have to be a master in diving, knowing this discipline from the ground up. Second, you need…

Dune Part Two: Filmed For IMAX, or Filmed With IMAX?

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YMCinema

2023-07-05

Discuss

4 mins read

There’s technical cinematography debate regarding the camera that shot Dune Part Two. Some shreds of evidence indicate that Dune 2 was shot entirely on IMAX film cameras (Filmed with IMAX), and others…

ARRI - Page 5

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

Joker: Folie à Deux Will Be Another ARRI 65 Masterpiece

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

ARRI Announces SUP 2.0 for cforce: Making the Lens Motors Twice as Responsive

The Battle for the Credit: ARRI ALEXA 65 vs. Sony FX3

Shooting Underwater With the ALEXA 35

Dune Part Two: Filmed For IMAX, or Filmed With IMAX?

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