ARRI Archives - Page 7 of 23 - Y.M.Cinema Magazine

RED. The End?

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2024-03-07

Discuss

4 mins read

As you may have heard, Nikon acquired 100% of the outstanding membership interests of RED.com. This is a move nobody has anticipated. In our opinion, we don’t get it. It seems like…

Dune Part Two: Five Interesting Cinematography Facts

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YMCinema

2024-03-06

Educate

4 mins read

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…

96th Academy Awards: The Cameras and Lenses

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YMCinema

2024-02-01

Educate

2 mins read

Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

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YMCinema

2024-01-29

Discuss

5 mins read

The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg

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YMCinema

2024-01-24

News

2 mins read

ARRI has announced its most advanced stabilized remote head titled 360 EVO. Building on the success of the SRH-360, the 360 EVO features 360-degree rotation on the roll axis as well as…

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

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YMCinema

2024-01-23

News

1 min read

There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

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YMCinema

2024-01-15

News

4 mins read

ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…

The Philosophy Behind ARRI Cameras

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YMCinema

2023-12-20

Discuss

3 mins read

Filmmaker Patrick Tomasso went to ARRI to ask some challenging questions, to understand the philosophy behind their cameras. We gathered some fascinating insight, but moreover, we understood that it all starts from…

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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YMCinema

2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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YMCinema

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

ARRI - Page 7

RED. The End?

Dune Part Two: Five Interesting Cinematography Facts

96th Academy Awards: The Cameras and Lenses

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

The Philosophy Behind ARRI Cameras

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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