Paramount officially confirmed that “A Quiet Place Part II” which was originally set to come out on March 20, 2020, and even had its premiere in New York City on March 8,…
Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…
In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…
As a continuation of our Oscar 2021 cameras’ discussion, we made a ‘high-level’ survey to explore segmentation between film cameras and digital cameras used to shoot the predicted Oscar 2021 Best Cinematography…
As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…
Some Mission: Impossible 7 (and 8?) footage has been leaked to the web intentionally or not, showing some serious rigging of the cameras. It seems that this is the first film in…
The Emmy 2020 nominee for Outstanding Cinematography, Westworld, was shot mostly on film by DP Paul Cameron, ASC. The cameras were ARRICAM Lite and Studio, combined with Sony VENICE for wide-night shots.…
The upcoming Tenet directed by Christopher Nolan and shot by DP Hoyte Van Hoytema is one of the most ambitious filmmaking projects to date. Once again, IMAX cameras have been intensively and…
In honor of the 10th anniversary of ALEXA, ARRI reveals some interesting facts, including the next ALEXA model which is a Super 35 4K camera that will be launched in 2021. Read…
Another celluloid masterpiece is going to land at theaters in September. A Quiet Place Part II directed by John Krasinski and shot by Polly Morgan on the Panavision XL2 paired with the…