Sony has announced the development of RIALTO 65, a new 65mm format image sensor block designed to expand the VENICE 2 digital cinema camera system into a much larger imaging platform. The…
The making of The Fire Inside, directed by renowned cinematographer Rachel Morrison, ASC, marked an interesting educating case in cinema—both as a testament to Morrison’s versatility and a masterclass in achieving a…
In a podcast called “The Making Of” on the making of “Joker: Folie à Deux,” DP Lawrence Sher, ASC, shared some intriguing facts regarding the cameras chosen to shoot the movie. It…
Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…
IMAX has held a special live preview footage screening event at AMC Century City 15 in Los Angeles on Tuesday, August 29, 2023, interviewing The Creator’s director, Gareth Edwards. Shot on a…
Have you seen Boiling Point (2021)? The movie was shot in a 90-minutes continuous take (=real single shot) utilizing the Sony VENICE Rialto, by the young (23) cinematographer Matthew Lewis. Furthermore, this…
Sony has released the behind-the-scenes featurette of Gran Turismo, demonstrating the advantages of the VENICE 2 Rialto 2 extension units, which were located inside race cars’ cockpits. A very similar shooting method…
A new action 6K cinema camera was developed by the team of Top Gun: Maverick. This camera is being utilized in the forthcoming Formula 1 film, rumored to be called Apex, starring…
Sony has published a case study of how the VENICE 2 Rialto 2 system can be utilized in complex shooting situations. It appears that the Rialto became very handy when you need…
How many of you heard about the “J Cam”? Well, it appears that this was a prototype of the Sony VENICE, which was invented for Avatar 2, according to James Cameron’s demands.…