Vista Vision Archives - Y.M.Cinema Magazine

RED Monstro vs Nikon ZR: Can a Mirrorless Body Really Match a Vista Vision Flagship?

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2025-12-07

Compare

5 mins read

The comparison between the RED Weapon Monstro and the Nikon ZR ($2,229.95 on Amazon) has moved from theory to real testing thanks to detailed evaluations conducted by filmmaker Brandon Talbot. His work…

DZOFilm Unveiled the ARLES T1.4: Vista Vision Super Fast Lenses

by

YMCinema

2024-06-18

News

2 mins read

DZOFilm has introduced the ARLES Large Aperture Series. The lenses own super-fast aperture (T1.4) and encompass 10 focal lengths: 25mm/ 35mm/ 50mm/ 75mm/ 100mm; B set: 14mm/ 21mm/ 40mm/ 135mm/ 180mm. Each…

Panavision Renovates its Website: An Educational Gem for Filmmakers

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YMCinema

2022-06-23

News

2 mins read

Panavision has a new website. And it’s about time. This new website has a lot of useful educational content about Panavision’s cameras, lenses, and services. It’s a truly filmmakers’ educational gem. Check…

This is the RED V-Raptor’s “Flare-Guard”

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YMCinema

2022-06-21

Educate

2 mins read

Explore this behind-the-lens mitigation, defined by RED as “Glare Guard”. It looks like a flat matte surface installed in front of the V-Raptor Vista Vision sensor. RED V-Raptor’s Flare-Guard The ‘Flare-Guard’ seems…

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

by

YMCinema

2022-04-05

News

3 mins read

RED Digital Cinema has updated the Support page of its V-Raptor regarding artifacts shown due to the stitched sensor. According to RED, the solution is “behind-the-lens mitigation” that can be installed in-camera.…

Watch: 8K ProRes RAW Footage of the Canon EOS R5

by

YMCinema

2021-09-09

Educate

3 mins read

Atomos Academy has published an episode focusing on the new firmware update that allows the 8K ProRes RAW full-frame recording straight from the Canon EOS R5. The results are stunning. Does it…

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

by

YMCinema

2021-09-02

Discuss

4 mins read

Yesterday was an exciting day for R3D lovers. A completely new high-end (‘flagship’) RED camera was introduced, the V-Raptor, which is RED’s first DSMC3. The Raptor can be defined as hybridization between…

RED V-RAPTOR ST DSMC3 Announced: Full-Frame, 8K, 120FPS, and 17+ Stops of Dynamic Range

by

YMCinema

2021-09-01

News

5 mins read

RED Digital Cinema has just announced its first DSMC3 camera: The V-RAPTOR ST 8K VV which is “The most powerful and advanced RED cinema camera ever”. RED defines it as the new…

Emmy 2021’s Cameras: Large Format Rules

by

YMCinema

2021-08-30

Discuss

2 mins read

Thanks to IndieWire, its fascinating survey clearly shows us the domination of the large sensors, over the well-respected and traditional Super 35mm format. We analyzed the data and make a chart that…

Vista Vision

RED Monstro vs Nikon ZR: Can a Mirrorless Body Really Match a Vista Vision Flagship?

DZOFilm Unveiled the ARLES T1.4: Vista Vision Super Fast Lenses

Panavision Renovates its Website: An Educational Gem for Filmmakers

This is the RED V-Raptor’s “Flare-Guard”

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

Watch: 8K ProRes RAW Footage of the Canon EOS R5

“V” for Velocity: Thoughts About RED’s New 8K Large Format Camera

RED V-RAPTOR ST DSMC3 Announced: Full-Frame, 8K, 120FPS, and 17+ Stops of Dynamic Range

Emmy 2021’s Cameras: Large Format Rules

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