Avid Media Composer 2021.3 Introduced: What’s New?
Avid Media Composer 2021.3 Introduced: What’s New?

Avid Media Composer 2021.3 Introduced: What’s New?

2021-03-26
2 mins read

Avid introduced the March release of its Media Composer (2021.3). The new version includes new features, enhancements, UI customization, streamlined editing functions, new Avid Titler + capabilities, and improvements to the new Interoperable Master Format (IMF) Window. 

Avid Media Composer 2021.3
Avid Media Composer 2021.3

IMF package creation

Avid states: “The definition of “New and Improved,” Media Composer’s Interoperable Master Format (IMF)  Packaging workflow takes all the support we added in 2019, throws it out the window, and replaces it with a more robust, extensible, and powerful toolset”. The 2021.3 version introduces the ability to create IMF supplementals through the new IMF window. You can link to or create IMF originals and then generate a supplemental package either inside or outside of the original without the need to re-encode existing media. You can burn multiple CPLs under one IMP.

IMF package creation on Avid Media Composer 2021.3. Picture: Avid
IMF package creation on Avid Media Composer 2021.3. Picture: Avid

Bin status bar

The new Bin Status Bar located at the bottom of a Bin provides you with information regarding the total number of items in a bin. You can either perform a multi-select in the bin or simply view information about the entire bin. There’s even an interface setting to show or hide the Bin Status Bar per bin.

Bin status bar on Avid Media Composer 2021.3. Picture: Avid
Bin status bar on Avid Media Composer 2021.3. Picture: Avid

UI customization

Based on user feedback, Avid added a host of new ways you can customize and “dress up” your Media Composer to suit your needs. With two new highlight colors (that adjust with the interface brightness settings, just like the existing highlights), and new mid-gray skin (slightly darker than the current lightest option), you now have more choices when creating your ideal experience. With all the screen time these days, these options are designed to reduce eye fatigue. Take it easier on the eyes.

UI customization on Avid Media Composer 2021.3. Picture: Avid
UI customization on Avid Media Composer 2021.3. Picture: Avid

Titler + updates

Now there’re more functions and features directly within the Composer window and mini toolbar, giving more control of titles without having to open up the Effect Editor. You now can rotate text and shapes using handles within the Composer window. Additionally, the text will now automatically wrap within a defined text box, and opacity can be applied to gradients within the color picker.

Titler + updates on Avid Media Composer 2021.3. Picture: Avid
Titler + updates on Avid Media Composer 2021.3. Picture: Avid

Find bin from the timeline

The Find Bin command can now be accessed directly in the Timeline when pointing to a segment. No selection is required; simply right-click over the desired segment and select Find Bin to highlight the clip in a bin. The bin will open if closed, come forward, and the respective clip will be selected.

Find bin from timeline on Avid Media Composer 2021.3. Picture: Avid
Find bin from the timeline on Avid Media Composer 2021.3. Picture: Avid

Moving clips without overwriting

Now when you move segments vertically or horizontally in the timeline, you won’t overwrite existing segments in the process. Nothing’s overwritten until you commit to the change.

Moving clips without overwriting on Avid Media Composer 2021.3. Picture: Avid
Moving clips without overwriting on Avid Media Composer 2021.3. Picture: Avid

Initial thoughts

The main goal of the 2021.3 version of Media Composer is to attack and improve the software’s main Achilles-Heel, which is usability, and to reduce the number of mouse clicks per action. As a Final Cut Pro user, I can defiantly say that most of the improvements presented here are were already implemented a long time ago in FCPX. Nevertheless, It’s nice seeing that Avid invests R&D resources focused on making Media Composer much more user-friendly and thus expanding its market beyond Hollywood.

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

1 Comment

  1. Title+ tool is still trash – insanely buggy after 2 years. It’s just an embarrassment at this point. It loves to crash Avid and corrupt timelines.

    Use the SubCap tool and set the global settings to clip instead of track or seq. Stable and gets the job done.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

MANK was Edited on Premiere Pro: Explore Editors’ Insights
Previous Story

MANK was Edited on Premiere Pro: Explore Editors’ Insights

Alexa Mini LF SUP 7.0 Beta announced: Super 35 Amplified
Next Story

ALEXA Mini LF SUP 7.0 Beta Announced: Super 35 Amplified

Latest from News

Canon Announces 27x Portable Broadcast Zoom Lens

Canon Announces 27x Portable Broadcast Zoom Lens

Canon has announced a new 27x portable broadcast zoom lens and next-generation digital drive unit. The lens titled CJ27ex7.3B, is Canon’s first 2/3” portable lens with a class-leading 27x optical zoom, which…
Go toTop

Don't Miss

DaVinci Resolve and Premiere Pro now Support Sony BURANO

DaVinci Resolve and Premiere Pro now Support Sony BURANO

Now you can edit Sony BURANO X-OCN files in DaVinci Resolve and Premiere Pro. Both of them have released support for the new
Apple Vision Pro: A Professional Content Creation Tool?

Apple Vision Pro: A Professional Content Creation Tool?

In our opinion, Apple is going to release a dedicated Final Cut Pro app for its newly announced revolutionizing spatial computer headset, the