Canon has published the updated Cinema EOS Comparison and specifications Sheet, which includes the brand new C70 RF Cinema Camera. This chart is a very useful piece of information for those who consider purchasing one of the Cinema EOS and want to understand the specialties and differences between the models. Take a look.

Cinema EOS Comparison Sheet: From C70 to C700

For those who are eager to look back even further, check our article regarding the Cinema EOS from 2011 to 2019 (From C300 to C500 Mark II: The History of Canon Cinema EOS Cameras). Fortunately, every new Cinema EOS camera Canon releases an updated chart. This time, the following cinema cameras were included:

1. EOS C700 FF/ EOS C700 FF PL
2. EOS C700 / EOS C700 PL / EOS C700 PL GS (Global Shutter)
3. EOS C500 Mark II
4. EOS C300 Mark III
5. EOS C300 Mark II / EOS C300 Mark II PL
6. EOS C200 / EOS C200B
7. EOS C100 Mark II
8. EOS C70

Specifications comparison

The chart is a very detailed piece of educational information about the Cinema EOS and contains the following sections: Image Sensing Device, Lens Mount, Image Processing Platform, Focus, Control/Assist, LCD Monitor, Viewfinder, White Balance, Frame Rate, Recording Media, File Formats, Codec, Video Formats, Terminal, Related Accessories, Third-party Products, and Physical Properties. Explore the PDF below. Also, you can download it from Canon’s website.

[pdf-embedder url=”https://ymcinema.com/wp-content/uploads/2020/09/Cinema_EOS_Comparison_Sheet_200922.pdf” title=”Cinema EOS Specifications Comparison”]

Initial Insights

As for 2020, Canon offers 7 types of Cinema EOS cameras with a broad range of price points (from $2,700 – Canon EOS C100 Mark II, till $33,00 – Canon EOS C700 Full-Frame). That diversity allows filmmakers to choose their best match for a specific job. Every model and its own pros and cons. In my opinion, the most interesting (and promising) model is the new C70, which is armed with an RF mount.  Of course, this model was designed to meet the needs of the Run N’ Gun shooters and less relevant for high-end productions. For those who want a FF beast that delivers RAW, the C500 Mark II could fit. Furthermore, after taking a glimpse at the table, the C700 looks like kind of a cannibalized product. Don’t you think? Feel free to share your thoughts in the comments section below.