Discuss Archives - Page 50 of 54 - Y.M.Cinema Magazine

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

by

2019-10-31

Discuss

3 mins read

As you already know, Netflix has updated its list of authorized cameras by including the Panasonic S1H. The S1H is the first Netflix approved mirrorless and the most affordable camera in the…

Executing long take. Picture credit: ARRI

The Art of the Long Take: A Discussion by Directors UK & ARRI

by

YMCinema

2019-10-29

Discuss

4 mins read

On Nov14, Directors UK & ARRI will host a 90-minute session that includes the screening of six single-shot short films. The event will be held within the Camerimage International Film Festival. That…

Roger Deakins Talks About the new ALEXA Mini LF. Picture credit: ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

by

YMCinema

2019-10-22

Discuss

3 mins read

Roger Deakins CBE, ASC, BSC, is the Director of Photography behind 1917, which is the first film that was shot on the ALEXA Mini LF with the Signature Primes. Read what Deakins…

Komodo 6K Camera: A “Badass little RED.”

by

YMCinema

2019-10-07

Discuss

3 mins read

Komodo, which is the new camera from RED, turned out to be a hot topic among filmmakers. This RED’s most affordable camera, which hasn’t been announced yet, continues to accumulate some substantial…

The technology roots of Red Digital Cinema

RED Digital Cinema: The Roots of 4K and Sensor Technology

by

YMCinema

2019-09-24

Discuss

3 mins read

The latest video by JinniTech grants us a fascinating view into the beginning of RED Digital Cinema, regarding sensors and 4K technologies. Have a look at a few of these intriguing hypotheses.…

RED RANGER vs. DSMC2: Stability vs. Modularity and Flexibility

by

YMCinema

2019-09-19

Discuss

2 mins read

What are the main differences between the newly announced RANGER, and the good old DSMC2? Is it possible to define which is better? Does it mean that DSMC3 is just around the…

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

by

YMCinema

2019-08-29

Discuss

3 mins read

Cinema lenses are known for their unique design, which is dedicated to filmmaking applications. In this article, we’ll try to clarify the main reasons for choosing those expensive cinema lenses over still…

Blackmagic Design: At The Cutting Edge of Real Cinema Innovation

by

YMCinema

2019-08-13

Discuss

4 mins read

Last week, Blackmagic Design announced a couple of products related to production and postproduction: Pocket Cinema Camera 6K and DaVinci Resolve 16.1 were the main announcements. It’s not trivial that a small…

Komodo: A New Affordable Camera by RED Digital Cinema

by

YMCinema

2019-07-30

Discuss

3 mins read

RED has announced its new invention called Komodo. Before shooting in the dark trying to guess what Komodo is, RED’s president has thrown us some solid and practical information about Komodo and…

RED's expensive media cards: The Mini-Mags.

RED Mini-Mags: Why Are They So Expensive?

by

YMCinema

2019-07-10

Discuss

3 mins read

A little company named JinniMag is causing RED to sweat. JinniMag uploaded a compelling video stripping down a $1,850 RED Mini-Mag showing that it’s just a consumer-based off the shelf SSD which…

Discuss - Page 50

Netflix’s List and the Panasonic S1H: A Foothold for Mirrorless Cameras

The Art of the Long Take: A Discussion by Directors UK & ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

Komodo 6K Camera: A “Badass little RED.”

RED Digital Cinema: The Roots of 4K and Sensor Technology

RED RANGER vs. DSMC2: Stability vs. Modularity and Flexibility

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

Blackmagic Design: At The Cutting Edge of Real Cinema Innovation

Komodo: A New Affordable Camera by RED Digital Cinema

RED Mini-Mags: Why Are They So Expensive?

Recent Posts

Categories

Get the best of filmmaking!