Discuss Archives - Page 51 of 57 - Y.M.Cinema Magazine

Canon Accelerates Camera Development as Stock Price Falls

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2020-02-25

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3 mins read

Canon fights back as its stock continues to fall, by releasing more mirrorless cameras, cinema cameras, and expanding its lenses for the advanced and professional market. Read below about Canon’s fragile situation. …

Oscar 2020 - NLE chart for Best Film Editing nominees

Oscar 2020: The NLEs Behind 92nd Academy Awards Best Film Editing Nominees

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YMCinema

2020-02-24

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3 mins read

After analyzing the statistics regarding the cameras and lenses that used to shoot Oscar 2020 Best Picture and Cinematography nominees, now it’s the time to explore the NLEs behind the Best Film…

Natasha Braier, ASC, ADF on Honey Boy set. Credit: Braier's Instagram

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

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YMCinema

2020-02-11

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3 mins read

The most recent achievement to a female cinematographer was given to Natasha Braier, ASC, ADF, being nominated for the 34th ASC Awards with “Honey Boy.” But what about the Oscar? It’s about…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

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YMCinema

2020-01-31

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4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

The Cameras Behind Sundance 2020: ALEXA Mini, SONY Venice, and RED Helium

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YMCinema

2020-01-29

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4 mins read

We’ve collected the data from IndieWire’s cameras survey regarding Sundance 2020 to create cameras charts to explore a tendency and/or inclination toward a specific brand and/or model. Unfortunately, the results are quite…

The Digital Cinema has Brought the Film Cameras Back in the Game

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YMCinema

2020-01-28

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4 mins read

Are we experiencing some “digital fatigue”? By judging from the number of film cameras used on major winning productions, we might, as the film cinema cameras are back into the game. Should…

The lenses that used to shoot Oscar 2020 nominees

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

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YMCinema

2020-01-23

Discuss

2 mins read

We accumulated the data regarding the lenses used to shoot 92nd Academy Awards nominees for Best Pictures and Cinematography. Let’s see if you can explore some significant tendency, compared to last year’s…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

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YMCinema

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

1917 Movie Review: One (Too) Long (Boring) Take in an Overrated Film

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YMCinema

2020-01-15

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4 mins read

Some of you may dislike this review, but I’m sure others will agree. In my personal opinion, 1917 is nothing more than a bunch of average technical old fashioned overused cinematography tricks…

Camera manufacturers behind 43 Best Netflix Original TV Shows of 2019

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

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YMCinema

2020-01-13

Discuss

3 mins read

Based on the Rotten Tomatoes’ critics ratings, we built a list of the 43 best Netflix original TV shows of 2019. Then we analyzed the cameras behind them to try to find…

Discuss - Page 51

Canon Accelerates Camera Development as Stock Price Falls

Oscar 2020: The NLEs Behind 92nd Academy Awards Best Film Editing Nominees

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

The Cameras Behind Sundance 2020: ALEXA Mini, SONY Venice, and RED Helium

The Digital Cinema has Brought the Film Cameras Back in the Game

The Lenses Behind Oscar 2020: Panavision, ARRI and Cooke

1917 Movie Review: One (Too) Long (Boring) Take in an Overrated Film

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

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