Linus Tech Tips has decided to join the party about the saga between RED and Jinni Tech (or vice versa). Linus disassembled its own 960 GB Mini-Mag, to investigate and get some…
UNGDOMARNA is a short and beautiful commercial film shot entirely on the Kinefinity MAVO LF. Filmmaker Benjamin Cotton shares with us his tips, tricks, and thoughts about using this evolutionary and revolutionary…
It appears that a $6,000 camera (URSA Mini Pro) can easily keep up with a $45,500 camera (ALEXA Mini) in professional high-end production and post-production environments. How can those cinema cameras be…
At the last CineGear, Chrosziel, which is a company that specializes in lens examination, hosted a Lens Projection Master Class dedicated for large format lenses. Read below about how professionals test their…
The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…
The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…
As we’re eagerly waiting for the firmware that will allow us to shoot ProRes RAW (Nikon Z + Atomos Ninja V), Nikon has released a cool educational video which demonstrates how to…
From the outer-space to Hollywood. RED GEMINI has paved its way to the big screen. Rambo: Last Blood, which marks the last chapter of the legendary series, was shot on the RED…
Although it is not new, the free open source video editor is getting better and better every update. Thanks to its vast multi cooperative community, Kdenlive offers editors a lot of editing…
In this article, you will get rare behind the scene glimpse of a feature film DIT (Digital Imaging Technician) role. The technical processes and tools (on-set-tech) will be clarified and demonstrated by…