ARRI Sells the All-Mighty ARRIFLEX 435 Xtreme for $21,000. Would You Buy It?
ARRI Sells the All-Mighty ARRIFLEX 435 Xtreme for $21,000. Would You Buy It?

ARRI Sells the All-Mighty ARRIFLEX 435 Xtreme for $21,000. Would You Buy It?

2023-05-30
3 mins read

One of the most acclaimed cameras is being listed for sale by ARRI CPO (Certified Pre-Owned). Obviously, we are referring to the ARRIFLEX 435 Extreme, which has a place of honor by dedicated filmmakers. The price is $21,000. Would you buy it?

The ARRIFLEX 435 Xtreme listed on ARRI CPO.
The ARRIFLEX 435 Xtreme is listed on ARRI CPO.

In recognition of the achievements of the 435 system, the Academy of Motion Picture Arts and Sciences awarded ARRI a Scientific and Engineering Academy Award in 1999.

ARRIFLEX 435

Thatโ€™s how ARRI explains that born of the ARRIFLEX 435: โ€œThe ARRIFLEX 435 came out in 1994 as a 35 mm MOS and high-speed camera to replace the 35 III. Its dual 3-pin pull-down claws and industry-standard dual registration pins assured optical printer steadiness. Frame rates up to 150 fps could be combined with in-camera speed ramps by means of a motorized mirror shutter, and the lens iris could be coupled to a control unit. TV commercials immediately embraced the technology of speed-iris-mirror shutter control, as agency creatives, directors, and DPs unleashed spates of beautiful sequences exploring time and motionโ€. The ARRIFLEXโ€™s applications were (and still are) widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usages. Furthermore, in recognition of the achievements of the 435 system, the Academy of Motion Picture Arts and Sciences awarded ARRI a Scientific and Engineering Academy Award in 1999. Here’re a few notable films shot on the ARRIFLEX system:ย 

Vice - Arricam LT and Arricam ST and Arriflex 235 and Arriflex 416 and Arriflex 435
Vice – Arricam LT and Arricam ST and Arriflex 235 and Arriflex 416 and Arriflex 435
Wonder Woman 1984: ARRIFLEX 235 and 435
Wonder Woman 1984: ARRIFLEX 235 and 435
โ€œOnce Upon a Time in Hollywoodโ€ Robert Richardson, ASCโ€จCamera: Panavision Panaflex Millennium XL2, Aaton A-Minima, Arriflex 435 Lens: Panavision Anamorphic โ€“ E, C, T series, Cooke Varotal
โ€œOnce Upon a Time in Hollywoodโ€
Robert Richardson, ASCโ€จCamera: Panavision Panaflex Millennium XL2, Aaton A-Minima, Arriflex 435
Lens: Panavision Anamorphic โ€“ E, C, T series, Cooke Varotal
โ€œNo Time to Dieโ€: Dir- Cary Joji Fukunaga, DP - Linus Sandgren. Cameras - Panavision XL2, IMAX MSM, Panavision System 65, ARRIFLEX 765. ARRIFLEX 435 and 235. Lenses - Panavision G-Series Anamorphic, IMAX Hasselblad
โ€œNo Time to Dieโ€: Dir- Cary Joji Fukunaga, DP – Linus Sandgren. Cameras – Panavision XL2, IMAX MSM, Panavision System 65, ARRIFLEX 765. ARRIFLEX 435 and 235. Lenses – Panavision G-Series Anamorphic, IMAX Hasselblad

The ARRIFLEXโ€™s applications were (and still are) widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usages.

The Xtreme model

A new FEM (Functional Expansion Module) was added in 2003 to increase the camera’s electronic feature set. ARRI integrated this into the new 435 Xtreme, which was released in 2004. The new functions included faster ramping speed capability, a wider ramping range that could go down to 0.1 frames per second, further motion control interface abilities, integrated lens electronics, and integrated wireless radio signaling. Three more accessories were released in 2005, exclusively for the 435 Advanced and 435 Xtreme: a hand-crank extension, a timing shift box to offset the phasing, and a remote LCD control panel designed for use on the “dumb side” of the camera.

ARRIFLEX 435 Xtreme listed on ARRI CPO.
ARRIFLEX 435 Xtreme is listed on ARRI CPO.
ARRIFLEX 435 magazine as a part of the camera -- listed on ARRI CPO.
The ARRIFLEX 435 magazine — listed on ARRI CPO.

In fact, the ARRIFLEX 435 is one of the dominant film cameras used in Sundance 2023, Cannes 2023, and even Oscars 2023.

Utilized by dedicated filmmakers

The ARRIFLEX models have a place of honor reserved by film lovers and artists. In fact, the ARRIFLEX 435 is one of the dominant film cameras used in Sundance 2023, Cannes 2023, and even Oscars 2023. Hence, the ARRIFLEX cameras are more than revenant even in the modern filmmaking age and allow the production of the best celluloid imagery.

ARRIFLEX 435
ARRIFLEX 435

The camera is now listed in the ARRI CPO program. Although the price of the cameras in CPO is significantly higher than eBay, they can be bought with higher confidence.

For sale in ARRI CPO: $21,350

The camera is now listed in the ARRI CPO program. Although the price of the cameras in CPO is significantly higher than eBay, they can be bought with higher confidence. ARRI promises that the CPO products go through the same final function test that is required for new equipment. This ensures that every piece offered for resale meets the high standards expected of it. As stated by ARRI: โ€œBefore the ARRI Certificate of Approval is issued, the equipment goes through a final function test. The ARRI service center performs a thorough check on all products during the certification process to ensure each piece of equipment meets the high standards expected of it. Once all functions have been checked and approved, ARRI engineers issue an official printed certificate, which will come with every CPO productโ€. As for the ARRIFLEX 435 XTR, explore the details below:

  • ARRIFLEX 435 XTR 3-Perf : Condition: Stock Clearance, serviced by ARRI
  • Ground Glass / ARRIGLOW Mask: NONE
  • Aperture mask: Universal (24,25×18,6mm covers N35+S35)
  • Items included: 1x ARRIFLEX 435 XTR. 3P | 1x 435 10x Eyepiece | 1x ESU-1, External Sync. Unit complete | 2x 120m/400ft Magazine 435 | 1x ARRIGLOW Module
  • Price in USD: $21,353 (excl. VAT and applicable taxes)

So, would you buy it?

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YMCinema is a premier online publication dedicated to the intersection of cinema and cutting-edge technology. As a trusted voice in the industry, YMCinema delivers in-depth reporting, expert analysis, and breaking news on professional camera systems, post-production tools, filmmaking innovations, and the evolving landscape of visual storytelling. Recognized by industry professionals, filmmakers, and tech enthusiasts alike, YMCinema stands at the forefront of cinema-tech journalism.

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