ARRI AMIRA Live
ARRI AMIRA Live

ARRI AMIRA Live: More Details and Prices

2021-03-05
2 mins read

Two days ago, ARRI has announced its new version of the AMIRA camera, titled AMIRA Live. Today, more details and prices revealed. The ARRI AMIRA Live Camera Set costs $31,180 which is slightly cheaper compared to the “regular” AMIRA. Read below what it includes.

The ARRI AMIRA Live Camera Set
The ARRI AMIRA Live Camera Set

“The Cinematic Super 35 Live-TV Camera”

ARRI defines the new AMIRA Live as “The Cinematic Super 35 Live-TV Camera”. The main highlights of the camera are the internal cabling design between the camera body and the 1820 Fiber Camera Adapter, resulting in a cleaner and more reliable configuration for live broadcast environments. Also, the AMIRA Live comes with a new 10″ VMM-1 viewfinder monitor, complete with broadcast-style controls to facilitate operation during live-broadcasting productions. ARRI claims that the AMIRA Live has been utilized in the David Guetta Dubai Show, however, when examining the photos from the show, we saw only the “regular” version of the AMIRA (read: David Guetta Dubai Show was Captured Live by Four ARRI Cameras).

ARRI Introduces the AMIRA Live: Cinematic Solution for Multicam Broadcasting
ARRI Introduces the AMIRA Live: Cinematic Solution for Multicam Broadcasting

AMIRA Live specs and key features

The specs of the AMIRA Live are pretty much identical to the AMIRA conventional model. Nevertheless, for those of you who are less familiar with the AMIRA camera (ARRI’s underdog), here’s the list:

  1. Sensor Type: Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array
  2. Weight: 5.2 kg / 11.5 lbs (camera body with DTS Fiber Adapter and PL lens mount)
  3. Recording File : ProRes S16 HD: 1920 x 1080, ProRes HD: 1920 x 1080, ProRes 2K: 2048 x 1152, ProRes 3.2K: 3200 x 1800, ProRes 4K UHD: 3840 x 2160, ARRIRAW 16:9 2.8K: 2880 x 1620
  4. Exposure Latitude: 14+ stops over the entire sensitivity range from EI 160 to EI 3200
  5. Recording Formats: MXF/ARRIRAW, Apple ProRes 4444 XQ, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, MPEG-2 HD
  6. Recording Media: CFast 2.0 Cards
  7. Recording Frame Rates: ProRes HD: 0.75 – 200 fps, ProRes S16 HD: 0.75 – 200 fps, ProRes 2K: 0.75 – 200 fps, ProRes 3.2K: 0.75 – 60 fps, ProRes UHD: 0.75 – 60 fps, MFX/ARRIRAW 16:9 2.8K: 0.75 – 48 fps, MPEG-2 HD: 23.976 – 59.94 fps
  8. Look Control: Import of custom 3D LUT, ASC CDL parameters (slope, offset, power, saturation) Knee, gamma, saturation, black gamma, saturation by hue, Support of ARRI Look Library
  9. Lens Mounts: PL lens mount with Hirose connector and LDS, EF lens mount, B4 lens mount with Hirose connector, LPL lens mount with LBUS connector, Leitz Cine Wetzlar M lens mount
  10. Operating Temperature: -20° C to +50° C / -4° F to +122° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
  11. Software Licenses: AMIRA Advanced License Key, AMIRA Premium License Key, AMIRA 4K UHD License Key, AMIRA ARRIRAW License Key, ARRI Look Library License Key
ARRI AMIRA Live Camera Set
ARRI AMIRA Live Camera Set

Price and availability

The price of the ARRI AMIRA Live Camera Set is $31,180. The camera can be preordered on the B&H website.

Included:

  • AMIRA Live Camera Body
  • ARRI VMM-1 Viewfinder Monitor Multicam
  • AMIRA Advanced License Key
  • AMIRA UHD 4K License Key
  • AMIRA ARRI Look Library License Key
  • Limited 1-Year Warranty

A viewfinder and lens mount are not included and need to be ordered separately.

The price of the ARRI AMIRA Live 1800 Camera Chain Set is $24,140. The set also can be preordered on the B&H website.

Included:

  • 1820-12G Fiber Camera Adapter
  • 1800 AMIRA Live Frame Mount
  • 1810 Fiber Base Station/1 x 12G/4 x 3G
  • 1800 FBS Cable Set/1820 Cord Control Pod
  • 1830 Mounting Bracket for 1820 CC Pod
The ARRI AMIRA Live
The ARRI AMIRA Live

Summary

There are not many differences regarding price between the AMIRA Live and the regular model. The old AMIRA costs $35,480 but comes with the pricey ARRI AMIRA Viewfinder MVF-1 which costs $7,000. The AMIRA Live comes with the VMM-1 bundle the costs $6,000. The simple calculation makes the Live model slightly cheaper but it’s not a significant difference. Finally, the AMIRA Live might set new standards, from a user experience perspective, regarding cinematic multi-cam broadcasting.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Women’s Cinema: Meet 1st AC Rebecca Baliko
Previous Story

Women’s Cinema: Meet 1st AC Rebecca Baliko

Rumor: Canon EOS R1 Will be Armed With 85MP Global Shutter CMOS Sensor
Next Story

Rumor: Canon EOS R1 Will be Armed With 85MP Global Shutter CMOS Sensor

Latest from News

Meet Vidu: A Sora Killer?

Meet Vidu: A Sora Killer?

Sora has not publicly launched yet, but its first contender has popped up. Meet Vidu, the Chinese answer to Sora. Vidu is China’s first long-duration, highly consistent, and highly dynamic video model.…
Netflix Starts to Prefer Low-Budget Filmmaking

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it…
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan to enter strongly into the cinema market. Nikon’s plan…
Go toTop

Don't Miss

IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”

IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”

Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à
ARRI Announces the ALEXA 35 Live

ARRI Announces the ALEXA 35 Live

ARRI announces the ALEXA 35 Live – Multicam System, a complete solution for live entertainment productions. The goal is to bring the cinematic