Cinematic Capture of Protists Using the BMPCC 6K
Cinematic Capture of Protists Using the BMPCC 6K

Cinematic Capture of Protists Using the BMPCC 6K

2022-06-29
3 mins read

Here is another intriguing BMPCC 6K setup. This time the Blackmagic Pocket Cinema Camera 6K was paired with a microscope to film protists in BRAW. All that beauty was graded on Resolve. Add some music to it, and you’ll get a micro-scientific thriller.

Blackmagic Pocket Cinema Camera 6K paired with microscope. Picture: Matt Weddis
Blackmagic Pocket Cinema Camera 6K paired with a microscope. Picture: Matt Weddis

Manipulating the BMPCC 6K

It seems that BMPCC (Blackmagic Pocket Cinema Camera) shooters are the most creative. For instance, we’ve shown two case-studies where the BMPCC was utilized in unconventional way. Capturing the moon (telescope pairing), and micro filmmaking with attached microscope lenses. This time, a production company called Protist Lab Films has used the BMPCC 6K to shoot protists, to bring the fascinating world of the Protists to the awareness of the general public through engaging films and documentaries.

Blackmagic Pocket Cinema Camera 6K paired with microscope. Picture: Matt Weddis
Blackmagic Pocket Cinema Camera 6K paired with a microscope. Picture: Matt Weddis

6K camera setup

Protist Lab Films built an innovative 6K camera setup mounted to a microscope using a Blackmagic Pocket Cinema Camera 6K digital film camera to shoot microscopic single-celled protists, some of the Earth’s smallest creatures. The videos are edited and graded using DaVinci Resolve editing, color grading, visual effects (VFX) and audio post production software. Protist Lab Films is run by former water lab technician and sound engineer Fabian Weston, who started Protist Lab Films a few years ago with only a microscope and his phone camera. He was familiar with Blackmagic Design from his years in the music and entertainment industry.

Blackmagic Pocket Cinema Camera 6K paired with microscope. Picture: Matt Weddis
Blackmagic Pocket Cinema Camera 6K paired with a microscope. Picture: Matt Weddis

Most of the BMPCC shooters are indie filmmakers who own maximum creativity, vision, and innovative spirit. And that leads to unconventional projects like those in the article.

Telling the story of the protist kingdom

The end goal of Protist Lab Films is to generate awareness of the protist kingdom, protists being single-celled eukaryotic organisms that are not animals, plants, fungus, bacteria, or viruses. Most people know them as algae and protozoa. “I was familiar with Blackmagic Design from when I was working on live stream audio mixing at the Sydney jazz club The Basement some years back. We used to do live streams of shows from the production studio one floor above the venue straight to YouTube. It was all run with Blackmagic, the cameras in the venue and switchers upstairs, and via a MADI connection for a separate live audio mix in the studio,” Weston said.

Fabian Weston color grades protists
Fabian Weston color grades protists

BMPCC 6K paired with a microscope

Since the beginning of 2022, Weston has been using the Pocket Cinema Camera 6K to capture the amazing world of these tiny creatures. Relying on the camera’s ability to work with a number of different high-quality microscope objective lens types and its ease to build onto the design, Weston created a unique custom setup to connect his microscope directly to the Pocket Cinema Camera 6K. After capturing the images in Blackmagic RAW, the footage was edited and then graded using DaVinci Resolve. For the final touch, drawing on his talent as a musician and music producer, he adds a custom-built soundtrack to some of the films before publishing the videos on the Protist Lab Films YouTube channel. “It’s an unbroken end-to-end process, and it’s just great to work within the single domain. Plus, the tech support is lightning fast. Blackmagic Design has definitely made the whole workflow very easy and smooth,” Weston said.

Blackmagic Pocket Cinema Camera 6K paired with microscope. Picture: Matt Weddis
Blackmagic Pocket Cinema Camera 6K paired with a microscope. Picture: Matt Weddis

Filming bacteria on BRAW Q3 6K at 50FPS

Check out Weston’s video below. The main settings are:

  • Camera: Blackmagic Design Pocket 6K
  • Monitor: Atomos Shinobi 5” 1080p HDMI
  • Codec: BRAW Q3 in 6Kp50
  • Media: Angelbird CFast 2.0 256GB 560MB/s

Wrapping up

From filming the moon with the help of a microscope to capturing the small details of insects, to shooting bacteria via microscope lenses, the Blackmagic Cinema cameras seem like the ideal solution for scientific curiosity. However, it’s not the camera alone, but the artists behind it. Most of the BMPCC shooters are indie filmmakers who own maximum creativity, vision, and innovative spirit. And that leads to unconventional projects like those in the article. Now, let’s wait for some ARRIRAW footage of viruses 🙂

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

1 Comment

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

First-Ever ‘Filmed for IMAX’ Concert Was Shot on 22 IMAX-Certified Cameras
Previous Story

First-Ever ‘Filmed for IMAX’ Concert Was Shot on 22 IMAX-Certified Cameras

Z CAM: Does This Powerful Underdog Have a Future?
Next Story

Z CAM: Does This Powerful Underdog Have a Future?

Latest from Educate

Dune Part Two: IMAX Q&A With Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
The Advantages of Underwater Drone.

The Advantages of Underwater Drone

In this fascinating case study, the advantages of underwater drones are demonstrated. Wildlife filmmaker Antoine Drancey has been utilizing the Boxfish Luna underwater drone to film the extraordinary stunning deep underwater world.…
Dune Part Two: One More Fascinating Lens

Dune Part Two: One More Fascinating Lens

Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
Dune Part Two: Five Interesting Cinematography Facts

Dune Part Two: Five Interesting Cinematography Facts

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
Go toTop

Don't Miss

Blackmagic Steals the Show at NAB: Launching Two High-End Cinema Cameras

Blackmagic Steals the Show at NAB: Launching Two High-End Cinema Cameras

Grant Petty knocked it out of the park. Blackmagic dropped a bombshell at NAB 2024, announcing not one, but two(!) high-end super-specs full-frame
DaVinci Resolve and Premiere Pro now Support Sony BURANO

DaVinci Resolve and Premiere Pro now Support Sony BURANO

Now you can edit Sony BURANO X-OCN files in DaVinci Resolve and Premiere Pro. Both of them have released support for the new