Watch: All FPV RED Komodo Drone Sequences in RED Notice. Drone setup: Dirty Dishes Productions Ltd
Watch: All FPV RED Komodo Drone Sequences in RED Notice. Drone setup: Dirty Dishes Productions Ltd

Watch: ALL Red Notice FPV drone sequences

2021-11-14
2 mins read

FPV drone specialist Johnny Schaer (Johnny FPV) has published a video that shows all the FPV (First Point View) drone footage of Red Notice. The drone was built especially for the film, and the camera on it was a prototype of the RED Digital Cinema action camera, the KOMODO.

The RED Komodo on FPV drone. Picture: Johnny FPV)
The RED Komodo on FPV drone. Picture: Johnny FPV)

Netflix has explored Cinema FPV

We wrote about Red Notice before, as an example for a Netflix project that was shot on custom-made RED Ranger Monstro, and utilized a custom-made drone that is able to lift a small cinema camera. In that case, the lifted camera was a prototype of the RED Komodo 6K action camera. Red Notice was heavily based on the FPV drone shots (=-Cinema FPV) in order to amplify the action. In fact, there were 8 drone pilots and operators, which indicates that the aerial action shots of the film are based on drones, instead of helis. Moreover, Red Notice is one of the first big-budget films that used the RED Komodo (Read: ‘Red Notice’ is a Proof That Cinema FPV Conquered Netflix).

‘Red Notice’ is a Proof That Cinema FPV Conquered Netflix
‘Red Notice’ is a Proof That Cinema FPV Conquered Netflix

We flew one of the first prototypes of the Komodo camera shooting in 6k, propelling the image quality of an FPV drone waaay forward.

Johnny Schaer

Red Notice FPV drone sequences

The pilot of the FPV drone that shot the aerial action sequences is Johnny Schaer (nickname: Johnny FPV). It appears that Schaer has utilized one of the first prototypes of the RED Komodo in order to assemble an FPV system that can be precisely maneuvered to capture complex shots within a blockbuster production. As stated by Schaer: “This is seriously such a dream come true, one that’s been many years in the making. My first feature film! (and the first usage of FPV in a feature film ever?!). A MASSIVE thank you to director Rawson Marshall Thurber and director of photography Markus Förderer, ASC BVK. These two had the vision to try out the new and mysterious tool of FPV flying for their film… Risk takers. Legends. What an epic adventure”

RED Komodo as an action cam on "Red Notice" set. Credit: Jarred Land Instagram
RED Komodo on the custom-made RED Ranger Monstro on the “Red Notice” set. Credit: Jarred Land Instagram

The first usage of FPV in a feature film

According to Schaer, Red Notice is the first feature film that uses pure cinema aerial FPV techniques. “This whole concept was also brought to life by the amazing team at RED Digital Cinema. We flew one of the first prototypes of the Komodo camera shooting in 6k, propelling the image quality of an FPV drone waaay forward” Schaer says. Below you can watch about 2 minutes of the Red Notice FPV drone sequences! Enjoy:

What do you think about those shots? Do they convince you to use Cinema FPV in your productions? 

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

ARRIFLEX 765: A Small Tribute to a Big Camera. Picture: ARRi Rental
Previous Story

ARRIFLEX 765: A Small Tribute to a Big Camera

Sony VENICE 2 Announced: A New 8.6K Full-Frame Cinema Flagship
Next Story

Sony VENICE 2 Announced: A New 8.6K Full-Frame Cinema Flagship

Latest from Educate

Dune Part Two: IMAX Q&A With Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
The Advantages of Underwater Drone.

The Advantages of Underwater Drone

In this fascinating case study, the advantages of underwater drones are demonstrated. Wildlife filmmaker Antoine Drancey has been utilizing the Boxfish Luna underwater drone to film the extraordinary stunning deep underwater world.…
Go toTop

Don't Miss

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan