IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. Weโve gathered a few interesting facts. Cameras, lenses,…
IMAX has published the final list of IMAX 70mm ‘flagship’ theaters that will screen the anticipated Dune: Part Two movie in 1.90:1 and 1.43:1 (select sequences). Unfortunately, itโs a tiny and reduced…
Good news for 70mm enthusiasts โ The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say โThank Youโ to Nolanโs Oppenheimer. But, it was shot…
Ridley Scottโs โNapoleonโ has become the anticipated movie of the year. The film stars Oscar-winner Joaquin Phoenix and was shot by the legendary cinematographer and Ridleyโs cinematic partner, Dariusz Adam Wolski. The…
Thereโs technical cinematography debate regarding the camera that shot Dune Part Two. Some shreds of evidence indicate that Dune 2 was shot entirely on IMAX film cameras (Filmed with IMAX), and others…
The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…